A close-up of a Canon RF 20-50mm F4 L IS USM camera lens resting on its side on a black surface, with a white tiled background. “PetaPixel Hands-On” text is overlaid in the bottom left corner. Canon RF 20-50mm f/4 L IS USM PZ Hands-On: Surprisingly Good for Photos
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Chris Niccolls

Canon RF 20-50mm f/4 L IS USM PZ Hands-On: Surprisingly Good for Photos

A close-up of a Canon RF 20-50mm F4 L IS USM camera lens resting on its side on a black surface, with a white tiled background. “PetaPixel Hands-On” text is overlaid in the bottom left corner.

One of my favorite zoom lenses of all time is the Sony 20-70mm f/4. Just the fact that a versatile range can be coupled with an ultra-wide-angle field-of-view brings a lot of convenience to the camera bag. I don’t mind the moderate f/4 aperture either, and the size and weight are kept to a minimum because of it. So when Canon released a 20-50mm f/4 L PZ lens alongside the R6 V, I was excited to try it out.

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Jeremy Gray
A hand holding a wooden judge’s gavel above a sound block, set against a dark, blurred background, symbolizing law and justice.

‘AI Could Have Made It,’ Blogger Claims After Photographer Sues

A photographer sued a blogger for copyright infringement after the defendant allegedly used a photo without permission or license. The defendant then claimed that because they could have created the picture using AI, it should not be protected. Thankfully, a U.S. District Court dismissed this notion.

Jeremy Gray

Reviewing the Most Beautiful Digital Camera Ever Made 22 Years Later

A black RD-1 rangefinder camera with a lens is resting upright on a concrete surface in front of a wall painted with horizontal blue, white, and red stripes.

In 2004, Epson and Voigtländer teamed up to create a truly legendary camera, the Epson R-D1. It was the world's first digital rangefinder, packed with exceptional features and style to match. Cameralabs' Gordon Laing has given the Epson R-D1 his wonderful "Retro Review" treatment, giving the R-D1 another chance to shine and show the world what made it so special more than 20 years ago.

Jeremy Gray

This Could Be the Rarest Digital Camera Ever Made

A hand holds a black Polaroid digital camera outdoors by a river, showing the camera's front in one image and the back with its screen and buttons in the other. The background is green and sunny.

The Polaroid x530 compact digital camera launched over 20 years ago to nearly no fanfare and minimal commercial success. However, its distinct Foveon image sensor technology and urban legend status make it one of the strangest digital cameras ever made. Outside of limited-edition digital cameras, the x530 could even be the rarest of them all.

Sane Seven
A group of people in formal attire laugh and hold gold trophies on the left, while a woman in a dramatic red gown flexes her arm and smiles confidently on the right.

What Really Happens Inside a BAFTA Awards Portrait Studio?

Few photographers ever get to work inside the portrait room of a major awards ceremony. Most will only ever see the finished images: the winner holding the award, the controlled lighting, the polished expression, the clean composition.

Jeremy Gray
A person with a light brown backpack stands in a white-walled gallery, looking at framed black-and-white photographs displayed on the walls. The floor has a geometric tile pattern.

Engaging With the Arts Slows Biological Aging

Researchers in the United Kingdom found that people who engage with the arts biologically age more slowly than those who do not. These results echo others over the years that show a correlation between exercising creative muscles and improved health outcomes.

Jeremy Gray

No, the Sony a7R VI Doesn’t Make the a1 II Obsolete

Two Sony Alpha cameras are shown side by side on an orange background, separated by a large "not equal to" symbol, indicating a comparison or difference between the two models.

As soon as I learned about the exciting and excellent new Sony a7R VI and got my hands on it a few weeks ago, I knew exactly what people would be asking once they learned about the camera's new, faster stacked sensor and 30 FPS burst shooting rates. Why would any photographer choose the Sony a1 II over the a7R VI? And I was right. I heard this question at least a dozen times at Sony's a7R VI event in New York City without any prompting whatsoever.