wetplatephotography

Failed Experiment: Shooting Wet Plate with a Mamiya 645 and Polaroid Film Back

Photographer Markus Hofstätter is known for pushing the art of wet plate photography in new and exciting ways, but... of course... it doesn't always work out. That's what happened in this video, where Hofstätter tries (and fails) to shoot wet plate photography with autofocus by putting a plate inside a Mamiya 645 AF AFD Polaroid Film Back.

This Animation Was Made from Seven Wet Plate Collodion Tintypes

Photographer Markus Hofstätter has made a name for himself by pushing wet plate photography to new heights, trying things others have never even thought to do. Today brings yet another example of his creativity, as he sets out to create an animation using, not digital files, but wet plate collodion tintypes.

This Photographer Colorizes His Wet Plate Photos with Striking Results

Fine art photographer Borut Peterlin was recently commissioned to shoot some ambrotypes by costume designer Alan Hranitelj, but he went a few steps beyond your standard wet plate collodion photography. In addition to shooting some beautiful multiple-exposures, he also decided to colorize the scans, creating striking photographs the likes of which we've not seen before.

Capturing the World’s Largest Ambrotypes with Actor Gary Oldman

Capturing beautiful stories. That's what wet plate photographer Ian Ruhter set out to do for his 3-year project at Slab City. But some of the most meaningful moments actually transpired within 48 hours, when English actor Gary Oldman paid Ruhter and his crew a surprise visit.

The Living Tin: Making Movies Using Only Collodion Tintype Photography

If you don't really think about it, it's easy to take video for granted. After all, you can pull out your cell phone and be recording video in a few seconds flat (even fewer if you have Pressy). But what if you were limited to older photographic techniques? No, we don't mean film, we mean wet plate photography.

Capturing even a 12fps animation for only a few seconds would seem an enormous task, and yet, that's exactly what director Kellam Clark and his 40-person crew -- altogether The Living Tin -- are doing. They're shooting video made entirely of collodion tintypes.

Shooting Portraits of Civil War Reenactors Using the Age-Old Wet Collodion Process

Wet plate photographer Rob Gibson believes that there are those among us who are "flame-keepers of the past," and if such people exist, he is certainly one of them. Like the others out there who continue to practice age-old photographic techniques such as the daguerreotype or wet collodion process, his passion harkens back to a simpler time -- a time he does his best to recreate with 100% accuracy through his lens.