Photographer Luc Kordas first moved from Europe to New York City in 2014 after living in six different countries in six different years. Since then, he has made his living as a photographer while doing street photography for himself. And one of the recurring subjects he has captured is the idea of loneliness in a big city.
Pau Buscató is a street photographer who has a knack for capturing playful moments in which subjects and scenes come together in curious ways for brief moments of time. Many of his pictures are illusions that may cause you to stare a little longer to understand what it is you're actually seeing.
Street photographer Jonathan Higbee is a master of spotting fleeting moments on the sidewalks of New York City in which things come together in strange and curious ways.
Carl Størmer was a Norwegian mathematician and physicist who's best known for number theory and studying auroras. Aside from his intellectual pursuits, Størmer was also an avid street photographer. When he was a 19-year-old college student, he used a hidden spy camera to shoot street photos in Norway in the 1890s.
My name is Hendrik Wieduwilt, and I'm a journalist and photographer based in Berlin, Germany. I went to Cuba with a full frame DSLR and ended up deliberately using only a compact, the Ricoh GR -- and not even the latest version (the almost identical GR II).
If your job is keeping you busy and away from dedicated street photography, you may still be able to exercise your creative muscles during your trip to and from the office. Here's a 2-minute video by photographer Alan Ruic with a handful of street photos you can take while commuting to work.
Rinzi Ruiz is a talented photographer who discovered his passion for street photography on the sidewalks of downtown Los Angeles. Here's a great 4-minute interview with Ruiz by StreetShootr about his mindset and work.
Today I used Lightroom Mobile to capture images on the street for the first time. I recently remembered that you can sync images from Lightroom Mobile right to the Lightroom desktop application. This was huge for me as I'm tired of syncing via Airdrop. It takes forever to select which images you want to import.
In this 4-minute video by Wex Photographic, street photographer Matt Higgs takes up the challenge of capturing 30 street portraits of complete strangers in just 2 hours.
Photographer Rohit Vohra, a Leica Ambassador and the co-founder of APF Magazine, came up with a humorous list of 20 reasons why you should never date a street photographer.
Black-and-white still remains the photographer’s favorite for street photographers, and with very good reason. Where in other genres monochrome has become a niche look, street photography is different. Why does B&W remain the favorite choice of street photographers, and are there logical reasons to go for it?
C.P. Goerz has unveiled a new lens called the Citograph 35. It's a 35mm f/8 lens that promises to "always be in focus". Cito means spontaneous in Latin, and that's where the name is derived from. The German start-up behind the Kickstarter campaign wants to bring spontaneity back to photography and Instagram on a more professional level.
Street photography can seem daunting. The idea of photographing strangers and intruding on their privacy might make you nervous, but this video by Eduardo Goye is full of tips for how to overcome this.
When I started out in photography, I always thought: if I could shoot in New York City, Tokyo, Paris or Amsterdam, my street photos would be much better... But it turns out that it's all about your imagination, creativity, and patience.
My name is Ricardo Lozano, and I'm a photographer based in Brooklyn, New York. In my project Seldom Bored, I shoot photos to encapsulate what I know about life in New York City.
In nearly every industry, the Web has enabled a cadre of Internet-famous individuals, who on the merits of their marketing prowess have gained massive followings without necessarily acquiring the skills that has traditionally defined an “expert.”
When street photographer Robin Schimko made the leap and purchased a Leica Q in 2015, he was hesitant. The price was steep, and the fixed lens made it a "glorified point-and-shoot." And yet, it has become his unequivocal favorite. Here are the 5 reasons why.
Street photography is a huge passion for us as well as essential development training for our wedding work. Each year we make multiple short excursions to cities across the world to see what we can find on the streets and one big, extended trip to give us a chance to really try and find the essence and soul of a particular city, country or culture.
You don't need fancy lighting equipment to capture nighttime portraits. Follow these few simple tips from photographer Jordan Matter and you'll up your night portrait game instantly, no flash required.
From time to time when I read about Street Photography, I hear the opinion that street photographers exploit people on the street by taking their picture without asking. This opinion raises some valid questions about the ethics of Street Photography, but also shows the double standards we follow in the media.
Photographer Ming Thein recently did something most photographers would consider crazy: he shot a dimly-lit festival, held in a cave outside Kuala Lumpur, Malaysia, on a 100MP Hasselblad monster.
Is the most egalitarian form of photography, ‘street photography’, being destroyed by its own popularity? Is such a thing even possible? I won’t profess to have a clear answer to this question, but I do have some thoughts. Those thoughts may turn into a rant, but I'll try to contain myself!
Arriving in Kyoto, I am holding onto Fujifilm’s X-T20 pre-production unit #48. I’ve had it for 3 months now and, to be honest, it competes for attention with the other cameras in my dry-box, all of them waiting for their turns to come out and play.
Many street photography tutorials discuss the same topics over and over—focussing techniques, composition, candid shooting, etc. However, I believe that one topic is underrepresented: storytelling.
I miss India. The explosions of bold colour alongside subtle, pastel textures and hues. The juxtaposition lurking on every corner. The people—friendly, welcoming and warm. The insane city streets and the almost forgotten village walkways.
Street photography is an addictive calling—the more you do it, the more you want to do it. You crave more people, more places, more action. Plus, it’s one of the most dynamic and exciting types of photography to share on social media, with an active community around the world.
“Street photography is dead”, declare forum threads and thinkpieces far and wide. The Internet and phone cameras have watered the quality down. The uniformity of the modern world means nothing is interesting anymore. Privacy and security issues make it immoral and dangerous. From a lot of angles, it seems, the photographic discipline I love is under attack.
As of early 2017, my only camera is the Ricoh GR II, which has a fixed-focal 28mm lens. I wanted to share my personal experiences shooting with a 28mm lens, after shooting with a 35mm lens for almost 6 years.
2016 was a very interesting year for street photography. It seems that more and more color work is getting popular. Especially in scenes with high contrast light, color images seem to be on equal footing with their colorless counterparts.
The joy of photographing on the street comes from close and engaging photos. Displaying the human nature and emotions in a way that the audience can relive these moments requires the photographer to be close and engaging as well. Unfortunately for a lot of us, it is not easy to stand out from the masses and overcome artificial social boundaries.