The Samyang summer lens release bonanza continues. Last week it was a super-fast 35mm f/1.2 for mirrorless APS-C cameras; today, we get a new ulra-wide angle, the Samyang 20mm f/1.8 ED AS UMC for full-frame DSLRs and mirrorless cameras.
Samyang just dropped a high-speed bokeh bomb on the mirrorless APS-C market. So if you think your manual focus skills can keep up, meet the brand-new, ultra-fast Samyang 35mm f/1.2 ED AS UMC CS.
Meyer-Optik is on a hot streak—releasing lens, after lens, after special edition lens—and the newest piece of glass to get a USA release is their Trimagon 95mm f/2.6: a "dynamic modern lens" that features a simple 3-element design.
The very recently leaked Panasonic Leica DG Summilux 12mm f/1.4 ASPH lens for Micro Four Thirds has officially arrived. Ultra-wide and built to withstand some punishment, the 24mm equivalent lens is the widest prime the company offers that isn't a fisheye.
It's a great day for lens lovers. First, Meyer-Optik resurrects the Trioplan f2.9/50, and now Zeiss is joining the fray by debuting the widest full-frame fixed focal length E-mount lens with autofocus: the Batis 18mm f/2.8.
Meyer-Optik is celebrating the 100 year anniversary of the Trioplan by resurrecting another iconic lens. Last year, the Trioplan 100mm f/2.8 brought back "soap bubble bokeh." Today, Meyer-Optik expands on it by bringing the legendary Trioplan 50mm f/2.9 back from the dead.
I was one of those who noted Sony had some troubles, as manufacturers often do, with some of their first generation lenses for full-frame FE mount cameras. When they announced the G Master lens series I was really excited to test them.
What can I say? I’m a sucker for the underdog. My first real underdog came in the form of a 1973 VW Beetle that my Dad bought for me when I turned 15. After we pushed it up the driveway, he gave me a repair manual and told me I had a year to get it going if I wanted wheels.
Not to be outdone by Canon's lens announcements from yesterday, Nikon has come back with a few major announcements of its own. And foremost among them (at least in terms of price) is a brand new AF-S 400mm f/2.8E FL ED VR lens that will pair very well with the new AF-S TC-14E III teleconverter... well, assuming you have about thirteen grand handy.
Are you a wildlife or sports photographer with a whole lot of cash just burning a hole in your checking account? Well, you're in luck, because according to Nikon Rumors, there's an updated version of the Nikkor AF-S 400mm f/2.8G ED VR lens in the works.
The CES announcement train keeps on rolling with another one we saw coming thanks to the ever-increasing accuracy of rumor sites. Nikon has officially launched the consumer-level D3300 -- complete with a few hardware upgrades and a new kit lens -- as well as the long-rumored 35mm f/1.8G full-frame lens and a few new CoolPix models.
Despite many a rumor of a new X-Series camera coming at CES, Fuji didn't have a brand new shooter up its sleeve -- at least not that we know of. Instead, the company is debuting the much-requested all-black version of the X100s, and a super fast "portrait perfect" XF 56mm f/1.2R premium lens.
One of the common complaints people hesitant to switch to mirrorless systems have is that there just isn't enough glass for this that or the other mount. Micro Four Thirds cameras don't really suffer from this problem, but proprietary mounts like Sony's E-Mount (especially full-frame) and Fuji's X-Mount certainly don't offer the kind of selection you get from Canon or Nikon.
The good news is, they're catching up. And a great case in point is the Fuji X-Mount 10-24mm f/4 lens announced today.
Nikon already makes a 35mm f/1.8G DX lens but the equivalent isn't available for its full-frame cameras, at least not yet. At this point, if you want a 35mm FX lens for your Nikon, you're stuck spending $1,600+ on the f/1.4, but that might all change in a couple of weeks at CES.
Another leak sprung over the weekend -- if, that is, you believe it's a leak and not a strategic move by the company. This one, however, doesn't have to do with an upcoming camera, but rather some new glass. It's the first official-looking photo of the rumored Sigma 24-105mm f/4 lens.
Last night was packed full of announcements from Canon, as the Japanese company saw fit to announce four new point-and-shoots (including a new flagship), update the PowerShot N and release a new lens in one fell swoop.