neuroscience

One of the best ways to broaden your horizons and inject a little inspiration into your photography is to explore subjects outside the world of photography. To study painting or take a course in graphic design, for example. But I recently discovered a fount of photographic inspiration in an unusual place: a neuroscience lab.

Art is something we all enjoy in one way or another. We assume it is a subjective subject, but there may be an objective angle that we can observe art from. Perhaps art isn’t subjective at all? Neuroaesthetics is a scientific approach to art in the way it is both produced and consumed, and this gives us a basis for figuring out what makes art… art!

It might sound like a provocation, but it's not. Notice the little difference: I am not asking if you have got the brains for street photography, I am asking if you have got the brain for it. The single “s” in brain(s) is the difference. A huge difference.

What does your ideal self actually look like? That's the question that photographer Scott Chasserot seeks to answer with his experiment, Original Ideal. By using portrait photography, Photoshop and brainwave scanners, he thinks he can pinpoint the version of your portrait that you find most appealing.

Feel a bit dry when it comes to being creative with your photography? Try taking a walk -- or, more specifically, a photo walk. A study over at Stanford has found that walking around can give you a significant boost in creativity.

Data is embedded in our environment, in our behavior, and in our genes. Over the past two years, the world has generated 90% of all the data we have today. The information has always been there, but now we can extract and collect massive amounts of it.

Given the explosion of mobile photography, social media based photo sharing, and video streaming, it’s likely that a large portion of the data we collect and create comes in the form of digital images.

As a photographer, you will sooner or later bump into the phrase "the decisive moment". The decisive moment is a concept made popular by the street photographer, photojournalist, and Magnum co-founder Henri Cartier-Bresson. The decisive moment refers to capturing an event that is ephemeral and spontaneous, where the image represents the essence of the event itself.

People will do just about anything to alleviate their anxiety. During the last year of writing my doctoral thesis, the worry about being able to finish grew increasingly heavy. The relentless grind of research, constantly being told that your work is inadequate, and believing that 80-hour workweeks are average has its tolls on all students. Once you reach the edge of this process and are pulverized into oblivion, you get a nice, shiny PhD.

You may be wondering what got me through this. The answer? Buying a ton of camera equipment. To photographers, this type of retail therapy is known as gear acquisition syndrome. Someone with this syndrome impulsively buys cameras and related gear, amassing more camera gear than they can realistically use.

There has been a good deal written about the similarities of the camera to the eye as well as the computer to human memory. What I would like to do is clarify the uniqueness of the human brain from camera technology and at the same time show the similarities between brain function, photography and cognition.