My name is Brendan Burkett, and I believe I have created an original device and street photography method. What I have done is attach a softbox to my back for ultimate portability. This allows me to get street portraits with a very unique light.
Here’s a simple breakdown of 7 different lighting techniques you can implement next time you shoot portraits with studio lighting. For these examples, we used continuous lights to better illustrate it, but you can strobes as well, of course.
Once and again, people ask me the question "what is the most important thing in landscape photography?" Of course, this question cannot be answered unequivocally due to the many ingredients of a good picture, but there is no doubt that light is one of the essentials of many good pictures.
Mystified by talk of "guide number" and "flash power"? Gerald Undone made this helpful 10-minute video that explains everything you need to know about the light from strobes and speedlights, from common misconceptions to practical formulas that will help you light your shots.
If you don't have access to a full cyclorama wall or large studio, you're in luck. In this 2-minute video, I'll teach you how to create a pure white background and light the subject using a single light source.
I got my first 3D printer recently, but it sits in a dark corner of my room, so I thought I'd design a light for it. Then I realized I could kill two birds with one stone and design it to be useful for photography as well.
It’s not often I get to shoot very simple, clean white light shots, but in a recent shoot the model asked if she could get some updated ‘Polaroids’. For those of you not familiar with the term when used in reference to a model shoot, it’s actually not the now-obsolete and ludicrously expensive single-shot film, but a request for very basic portraits of the model for their agency.
Sometimes, you’re forced to work with what you’ve got, even if that means just the flashlight on your phone. In this 10-minute video, you’ll learn 5 ways to light portraits using just a phone flashlight.
“Do you have 9 lights?” The account manager at Oakland University asked me. Somewhat inspired by a Queen album cover, he was looking to create an image where 9 award-winning students stood out in a dramatized version of a newly renovated space on campus. While I understood the goal of the session, I immediately knew rigging 9 lights up would be nearly impossible while showing such a vast space. I told him that it may take some time, but I could get it done with just 2 lights.
If you're looking to expand your skill set in shooting portraits with umbrellas, check out this 8-minute video by photographer Miguel Quiles. In it, he introduces different types of umbrellas and then shares 5 different ways he uses them to create stunning portraits.
After recently sharing a portrait on social media, I was asked by a lot of people to write a breakdown on how I achieved the shot.
I’ve been photographing weddings for 10 years now, so I’ve seen and dealt with nearly every lighting scenario possible, from a dark church with no windows, to a wedding ceremony at high noon with not a cloud in sight. But one thing most photographers don’t know is how to photograph in dappled light!
Finding new ways to create isn't always easy, so you have to keep your eyes open for inspiration. One day while making my way down the rabbit hole of YouTube, I stumbled across a video. These guys had created 3 colored shadows off this pencil while keeping a perfectly white background. What in the world was this sorcery? Turns out it wasn't sorcery, it was science.
If you’re like me and you’ve tried to attach gels to your lights in the past, you’ve likely resorted to using one of the many types of sticky tapes available. When I used to manage a studio, I would see all manner of tapes being used to attach gels to hot modifiers.
For many years, I have been modifying and adapting lighting and camera equipment to better fit my style of shooting. The process of altering lighting gear, as well as combining products that were not originally intended to work together, is of particular importance to me these days, as I constantly mix and match the best from many different brands.
When it comes to online educational content, there aren’t many photographers out there willing to share their mistakes when trying to create a photo. I think it’s fair to say that there are easily far more who only share their best work online and for good reason; as educators, you want to create an image of a photographer who makes little to no mistakes at all.
I got my hands on a pair of the new Profoto B10 for some hands-on shoot testing from Profoto. If you just want to see the photos, scroll to the end of the article. If you want to get a little background on the ideas and the tech, read on.
Highly stylized looks offer a great learning opportunity to the beginner or intermediate product photographer. When items are placed on a composite-heavy background, there are certain considerations we can make in-camera to avoid a headache in Photoshop.
Taking portraits in bright sunlight has been a bit of a no-no for a long time, but the truth is that you can actually get stunning results if you use a fill flash. The results look awesome and give a high-end feel to any outdoor portrait, and the best thing is that it's really not too difficult. You just need to understand how to use a fill flash.
Want to improve your macro photography game? Here's a great 12-minute DPReview TV episode in which master macro shooter Don Komarechka demonstrates some simple techniques and setups you can use to capture better outdoor shots.
Like most photographers who have been working for many years, I have my favorite, go-to lights. These include the Broncolor Para 88, 133, and 222; the Broncolor 'pre-2006 style' Flooters; the Elinchrom Zoom Spots; and Elinchrom Litemotiv Indirect.
How you light your subject is one of the key decisions you'll need to make when shooting portraits. The Koldunov Brothers published this 9-minute tutorial showing the impact the height of a light source makes and some typical mistakes photographers make in placing and angling lights.
Controlling and modifying light is a lot of what photographing with studio lights and battery-powered strobes is about. Especially when it comes to portraits, I like to work with my lighting setups so they add something that is not perfect or flat.
It’s photographer Jay P. Morgan here. Here's a new 11-minute video in which I compare the pros and cons of strobes vs. continuous light and conduct some indoor and outdoor lighting tests between the two for you to decide which one to use when you are shooting.
A year ago, Profoto launched the A1, its first on-camera flash and the world's smallest studio light. That light will soon have some serious competition: the increasingly-popular Chinese lighting brand Godox is getting ready to announce its own round-headed flash that will compete directly against the Profoto A1.
For the last few beauty shoots I've done, I was asked to emulate the "Natural Glow Look". This is a pretty common look in photography today! We see it in campaigns of big makeup companies such as L'oreal, Estee Lauder, Revlon, and L'OREAL, ESTEE LAUDER, REVLON, & Neutrogena, just to name a few.
How do you use high-speed sync? When would you use it? How do you set it up? These questions will all be answered by the end of this 5.5-minute video and the article below.
We are going to use 100 Lume Cube LED lights to teach you how continuous light can be used on a set. Using continuous light on set for still photography is a great way to learn photographic concepts and getting you comfortable with lighting techniques.
Back in February, I created several self-portraits using only lights from around my house. I wanted an exercise in something outside of my current comfort zone and to challenge myself to get back to my photography roots.
Color spots are a beautiful way to add atmosphere behind your still subject. By cutting out what would otherwise we a catalog black product shot, we can invoke a vibrant, moody look that has been popular for decades. The video above is a 15-minute exploration of this 2 light setup, and it’s colorful flexibilities.