cameralabs

Gordon Laing of CameraLabs is back with another installment of his Retro Review series, rewinding the clock a couple of decades with a look at the Canon EOS 10D.

While Gordon Laing of Cameralabs typically looks at vintage cameras as part of his incredible Retro Review series, old glass deserves love, too. Cameralabs has just published its review of the Nikkor 50mm f/1.4 AI-s, a lens that launched 43 years ago and is still amazing today.

Even though we're only halfway through 2024, it has felt like a very busy year for the camera industry. This week, the PetaPixel Podcast team is joined by Camera Labs' Gordon Laing to give a midterm grade to every camera maker.

For photographers who were around during the emergence of the DSLR, few cameras are as influential or recognizable as early Canon EOS Digital Rebel models. Gordon Laing of Cameralabs has turned back the clock to look at the very first Rebel DSLR in his latest Retro Review.

As part of his retrospective Retro Review series, Gordon Laing of Cameralabs is looking at a very special Sony camera -- the Cyber-shot R1. 19 years ago, it became the first camera Laing published on Cameralabs.

Last August, Gordon Laing of Camera Labs looked at one of his favorite vintage digital cameras, the Sony Cyber-shot F707. Now Laing looks at its successor, 2002's Sony Cyber-shot F717.

As Gordon Laing of Camera Labs continues to work on his excellent "Retro Review" series, he took a break to look at an older camera that doesn't quite reach retro status, the Nikon D80, calling it the "best camera under $100."

Gordon Laing of Camera Labs has returned with a new episode of his excellent "Retro Review" series, taking photographers on a nostalgic stroll down memory lane. This time, Laing has reviewed the Canon EOS D30, the company's first DSLR built from the ground up in-house.

The latest vintage digital camera to get Gordon Laing's fantastic "Retro Review" treatment is 2001's Sony Cyber-shot F707 camera. The L-shaped 5-megapixel camera was sold as a premium all-in-one compact.

Alongside the new Canon EOS R100 mirrorless camera, Canon also announced a new pancake-style prime lens for RF-mount, the RF 28mm f/2.8 STM. While announced simultaneously with the APS-C R100 camera, the RF 28mm is a full-frame lens.

In his latest Retro Review, Gordon Laing of Camera Labs takes photographers back to 1996 when Olympus launched its Camedia consumer camera series with a trio of digital cameras, the C-400, C-400L, and Laing's focus, the highest-end C-800L.

Released nearly three decades ago in 1994, the QuickTake 100 was Apple's first digital camera and among the very first digital cameras available to general consumers. But as much of an impact as it had back then, it hasn't aged well.

Photographer Gordon Laing of Camera Labs is back with another edition of his retrospective "Retro Review" video series. This time, Laing focuses on the Sony Cyber-shot DSC F505, a consumer-oriented digital camera released 24 years ago.

Photographer Gordon Laing is back with a new edition of Dino Bytes, the series where he revisits classic cameras from decades past. This time he's dusting off the 23-year-old Nikon D1, the company's first DSLR.

Photographer Gordon Laing from Camera Labs and Dino Bytes has released a special episode dedicated to one of the strangest digital cameras released in the 90s - The Nintendo Game Boy Camera.

After months of teasing, Canon finally let me get my hands onto a pre-production EOS R3 for a few days, during which time I tried every test I could think of.

One of the most exciting things about capturing high resolution video with the Panasonic LX100 is the ability to extract high resolution still photos from it. Video grabbing is not a new thing, but in standard definition you were looking at stills measuring a third of a Megapixel, and even in Full HD you'd only enjoy 2 Megapixels. But with 4k video you can make 8 Megapixel grabs which is much more useful.

I was under the spell of mirrorless ILCs from their birth in 2009 when Panasonic and Olympus literally tore up the rule book and started from scratch. Their debut models, the G1 and EP1, may have been a little rough around the edges, but I was immediately smitten: these were the future of cameras, at least as far as I was concerned.

At last an interchangeable lens camera with a sensor big enough to deliver high quality images, but a body small enough that I'd never leave it at home; the lens selection grew quickly and as for the full-time electronic composition, I embraced the positives, sold my full-frame DSLR and never looked back.