The Sony Alpha a7R IV released in July of 2019 as the successor to the popular a7R III. While the early Sony mirrorless cameras had a limited lens selection, by the time the a7R IV came out, the lens selection had blossomed. Nowadays, there’s a lens for every purpose from manufacturers like Sony, Tamron, Sigma, Samyang, and Tokina.
Sony’s Alpha camera system has evolved significantly in the three years since Sony released its predecessor, the Alpha 7R IV. The new Alpha 7R V not only has caught up with the other cameras in the system, but it has also surpassed them.
Photographer Gary Tyson recently took a Sony Alpha 7S III into the ocean of the Phillippines and captured some stunning nighttime photos and slow-motion footage of the local sea life.
In a pseudo Part III to their sensor size comparison series, Jay P Morgan and Kenneth Merrill over at The Slanted Lens decided to answer a question that popped up several times in the comments of a previous video: can the pixel shifting on a Micro Four Thirds or full-frame camera match the output of a 100MP medium format sensor?
A few months back, the guys at The Slanted Lens posted a video comparing the performance of various sensor sizes and it... didn't go well. The comments were filled with complaints (valid and otherwise) about how they'd handled the test, and so they decided to address some of those concerns and run a whole new test.
Over the past few weeks, a ton of reviewers have been comparing the new Canon EOS R5 against the new Sony a7S III, but for stills shooters this is the wrong comparison. That's why photographer Matt Granger decided to compare the 45MP R5 against its most obvious high-res stills competitor: the 61MP Sony a7R IV.
Sony Artisans Renan Ozturk and Taylor Rees recently captured something incredible, both photographically and physically. In partnership with Sony, they shot some spectacular photos and video of slack line artist Andy Lewis performing a free solo high line between two desert towers in Utah, with a massive moon as his background.
2020 is just around the corner, and if there is one thing we can be sure of, it’s that Sony probably isn’t going to be slowing down. While every iteration of the different a7 and a6000 camera lines launch with significant improvements over their predecessors, the most recent a7R took leaps and bounds in both capability and design progress.
A lot has been said about the ultra-high resolution Sony a7R IV when it comes to shooting portraits, studio work, or landscapes--basically everywhere high resolution is a must. But what about wildlife photography? Seattle-based wildlife photographer Aaron Baggenstos took the camera to Africa to find out.
Two weeks ago I unboxed the Sony a7R Mark IV mirrorless camera, the high resolution beast, and brought it with me for a field review in the mountains around Santa Clara in Northern California.
The latest Sony flagship full-frame mirrorless camera is finally available (I say "latest" instead of just "the" because Sony insists they have at any given time up to three and sometimes four flagship cameras). And yet, I contend that a vast majority of those interested in the a7R IV shouldn't buy it.
A lot has been said about the quality of the images coming out of the 61MP Sony a7R IV, but most of the first impressions we've seen are based on JPEGs. Now, thanks to Jared Polin of Fro Knows Photo, you can get take a close look at full-res RAW files captured with Sony's new camera and see how they hold up.
When Sony announced the 61MP a7R IV this week, both presenters were quick to say that the camera's full-frame sensor "rivaled medium format" thanks to its combination of resolution and dynamic range. But was that engineering truth, or marketing speak? Photographer Matt Granger decided to find out.
How much of a difference can an extra 19MP and a newly-designed really make? Apparently, quite a bit, as you can see in this quick side-by-side comparison of JPEGs shot on the 42MP Sony a7R III and the newly released 61MP Sony a7R IV.
A few weeks ago, Sony asked me if I wanted to do a quick test run with the (at that time) unannounced Sony a7R IV. I was pleasantly surprised as I (and I am sure many others) expected the a7S III to come out first. I agreed and was excited to be one of the first in the world to test the new camera.
During a live presentation in New York City this morning, Sony revealed its latest full-frame mirrorless camera, breaking new ground in this ever-more crowded market with the Sony a7R IV: the world's first 61MP full-frame camera, with a burst speed of up to 10fps, and a reported 15 stops of dynamic range.