The GR IV is the best iteration yet: It focuses faster, has better stabilization, improves upon the GR III's already fantastic imaging engine, and is a teensy bit smaller [...]
The GR IV is the best iteration yet: It focuses faster, has better stabilization, improves upon the GR III's already fantastic imaging engine, and is a teensy bit smaller [...]
Ultimately, the X2D II's pictures are incredible, but I see the Fujifilm GFX100 II as a better do-it-all for medium format photography [...]
I'm less willing to forgive the autofocus, which is noisy and slow enough to miss out on some candid photo ops, but it's a reasonable compromise when you consider the $470 cost of entry [...] Accordingly, the RF 45mm F1.2 STM earns our Editors' Choice award [...]
When it comes to the EOS R6 Mark III, anything less than greatness would be a serious disappointment.
The EV1's electronic viewfinder detracts from the romanticism of rangefinder photography, and while it's a very good camera and exceptionally light among its full-frame peers, the EV1 struggles to justify its opulent price.
If you can afford it, the 50-200mm F2.8 IS Pro is a phenomenal addition to any Micro Four Thirds kit [...]
Its broad angle of view is useful for landscapes and architectural photos, as well as self-recorded vlogs, and its bright aperture softens backgrounds. Its fixed ultra-wide angle of view makes it more of a specialty lens than one for everyday photography [...]
Thoughtful touches like a tripod socket for vertical capture and a good set of in-camera looks push the R50 V over the top [...] it's the best vlogging ILC you'll find for less than $1,000.
If you use an E- or L-mount camera and want to add a 135mm prime to your kit, it's the one to get [...]
The Sigma 35mm F1.2 DG II Art proves to be a worthy upgrade to the original, which at its release was the first autofocusing F1.2 prime for the Sony E and L-mount camera systems.
Its ultra-wide starting point is a serious advantage over the Tamron 28-200mm F2.8-5.6, and it also focuses faster and includes weather protection. That's more than enough for the Sigma 20-200mm [...]
I walked away with mixed feelings after using the X Half as an everyday camera for a couple of weeks.
Ultimately, the GFX100RF falls short of the high watermark set by another Fuji compact, the X100VI [...]
The Sigma 200mm F2 DG OS Sports is a stunner, both in terms of the images it captures and the speed and accuracy with which it focuses. And while it's more expensive than pro zooms at $3,299, it leaves nothing to be desired.
The Nothing Phone (3) is the company's best yet, thanks to its beautiful screen, strong performance, capable cameras, and standout design.
The Nikon Z5II delivers stabilized, full-frame imaging along with fast autofocus and professional video features for a reasonable price.
The Panasonic Lumix DC-G9 II holds onto our [...] award among premium crop sensor cameras because its SLR body style, weather sealing, and stronger video features make it a true do-it-all camera. The X-E5 entices a smaller audience, but serves it well.
Weather protection and Tamron's utilitarian design ethos continue on, and although I'll gripe about the decision to omit the AF/MF toggle switch, a handy feature for a lens that's certain to get some landscape use, it's more of an annoyance than a problem.
With a refined and appealing design, plenty of power, smarter AI, smoother multitasking, and improved cameras, the Samsung Galaxy Z Fold 7 is the best folding phone you can buy, bar none.
Its optical stabilization and longer zoom range are more worthwhile for everyday photography, especially for photographers who use a camera that doesn't have in-body image stabilization. But the Sigma 17-40mm F1.8 DC Art is a worthwhile pickup if you want an extra-bright zoom.
The Camp Snap is the one-button disposable camera that I didn't know I needed [...]
It's simply the best all-in-one zoom available for each system for which it's made [...]
If you're up to the challenge, the Sigma 300-600mm F4 rewards you with exquisite images.
The Canon EOS R1 is a fantastic camera made for a clear audience: Creative professionals who point their lens at fast-moving subjects and are expected to deliver a clear, sharp image for publication.
