Panasonic Lumix GH7

Announced June 5, 2024

Compare Panasonic Lumix GH7
90

PixelMeter The PixelMeter is our 1–100 aggregate of reviewer scores from trusted publications and creators. Weighted by source tier — not a raw average, and not PetaPixel’s own review.

Reviewer Consensus

Exceptional

The Panasonic LUMIX GH7 is a powerful hybrid camera that offers extensive video capabilities, including internal ProRes RAW recording and 32-bit float audio support. While it features a highly capable autofocus system and class-leading image stabilization, its Micro Four Thirds sensor size and bulky body design may not suit every photographer.

Weighted from 24 reviewer scores

Pros

  • Highly effective in-body image stabilization
  • Reliable phase-detect autofocus performance
  • Versatile physical control layout and articulating screen
  • Unlimited recording enabled by a built-in cooling fan
  • Extensive professional video features including internal ProRes RAW and 32-bit float audio

Cons

  • Bulky and heavy form factor
  • Limited battery life during intensive recording
  • Autofocus tracking limitations in specific modes
  • Sensor size impacts low-light performance and depth of field
  • Lack of direct UVC/UAC webcam support
  • Launch price $2,199 (USD)
  • Sensor 25.2MP Micro Four Thirds BSI CMOS
  • Video 6K 50p UHD 120p
  • Stabilization In-body IS, 7.5 stops (CIPA)
  • Burst 75 fps electronic 14 fps mechanical

What the Reviewers Say

All 24 expert reviews, weighted into the PixelMeter score.

  • DPReview 89/100

    If you just want a hybrid camera that excels at photos and can also capture good video, there are other options.

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  • Cameralabs

    [T]he Panasonic LUMIX GH7 is a tremendous camera and once again proves Micro Four Thirds remains both relevant and desirable.

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  • The GH7 proves a couple of things extremely well, that is, that it is possible to find plenty of life and quality in the MFT format and also that it is possible to make an exciting hybrid design that has plenty to delight photographers and videographers alike.

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  • Trusted Reviews

    The GH7 is a stunning creative toolbox, particularly when it comes to video. If you’re a content creator with demanding standards, its wide range of capabilities and pro-level performance will be right up your street.

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  • PCMag

    The Panasonic Lumix DC-GH7 camera puts most of its eggs in the video basket with support for 5.7K ProRes recording internally, and improves upon the GH6's autofocus and still picture chops.

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  • TechRadar

    This is a masterful all-rounder that, with its excellent image quality, fast phase-detect autofocus, best-in-class image stabilization and staggering range of video-shooting options, seems tailor made for budding content creators looking to deliver professional-grade material.

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  • Tom's Guide

    If you want a camera purely for video work and content creation, then the Panasonic Lumix GH7 definitely warrants a recommendation. It comes with a wide array of video resolutions, bitrates and compression formats for all kinds of users.

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  • Australian Photography

    For those who are invested into the Micro Four Thirds ecosystem and have a focus on video production, an upgrade to the Lumix GH7 is a no brainer. However, if you are primarily a stills photographer this might not be the camera for you.

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  • Space

    The Panasonic Lumix GH7 is an impressive camera and is surprisingly good for astrophotography thanks to its high ISO noise handling and compact overall kit size.

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  • ProVideo Coalition

    Many cameras can produce a great image, but the GH7 offers a lot with very few compromises, and is definitely worth considering for many solo and small-team shooters.

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  • Live Science

    The Panasonic Lumix GH7 is arguably the best Panasonic MFT camera available, with features and functionality that make it a great choice for photographers and videographers alike.

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  • Root-Nation.com 8.7/10

    The Panasonic Lumix GH7 is an incredible camera – expensive, versatile, with a luxurious kit lens. In many areas, it outperforms Full-Frame competitors.

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  • Vistek

    If anything, Panasonic has done what no other brand has and proven that you can make a powerful micro four/ thirds camera that is not just for new creators, but those who plan to hold on to the camera for many more years to come.

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  • Park Cameras

    Panasonic has done a fantastic job with the Lumix GH7, updating virtually every aspect of an already excellent video-first camera.

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  • Who Is Matt?

    It's always just enabled for most frame rates and it's great So as you can see, the G H7 is a really full featured camera that literally checks all of the boxes that I basically have ever had for a modern camera with good autofocus, plus the addition of things that I always [...]

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  • Zach Mayfield

    This is the perfect camera for somebody who's looking to maybe upgrade from their first real camera to their second, and they can't afford to jump into a full-frame video production camera or a cinema camera yet.

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Specifications

General

Announcement date June 5, 2024
Launch MSRP $2,199
Medium Digital
Lens mount Micro Four Thirds
Body type Mirrorless

Sensor & Processing

Effective resolution 25.2MP
Sensor format Micro Four Thirds
Sensor technology BSI CMOS
Sensor dimensions 17.3 x 13 mm
Native ISO range Photo
Native: 100 to 25,600 (50 to 25,600 Extended)

Video
Native: 100 to 12,800 (50 to 12,800 Extended)
Aspect ratio options 1:1, 3:2, 4:3, 16:9

Still Capture

Burst speed (mechanical) 14fps
Burst speed (electronic) 75fps
Other still formats JPEG, RAW

Autofocus

AF architecture Phase detect
AF points Photo, Video; Contrast Detection: 315
Autofocus modes Automatic, Continuous-Servo AF, Focus Lock AF Area Mode, Manual Focus, Single-Servo AF, Touch AF & Shutter
AF low-light sensitivity -4EV
Subject recognition Human, Animal, Car, Motorcycle, Train, Airplane

Shutter & Exposure

Shutter types Mechanical Focal Plane Shutter and Electronic Rolling Shutter
Shutter speed range 1/32000s to 60s, Bulb
Flash sync speed 1/250s
Maximum electronic shutter speed 1/32000s
Exposure compensation -5 to +5 EV
Metering modes Center-Weighted Average, Highlight Weighted, Multiple, Spot

Display & Viewfinder

EVF resolution 3.68M dots
EVF magnification 0.76x
Rear LCD size 3-inch
Rear LCD resolution 1.84M dots
Rear LCD articulation Fully articulating

Video

Internal Recording

H.265 Long GOP/MOV 4:2:0 10-Bit

  • 5760 x 4320 at 23.98/24.00/25/29.97 fps (200 Mb/s)
  • 4352 x 3264 at 47.95/48.00/50/59.94 fps to
  • 5728 x 3024 from 1 to 59.94 fps (200 to 300 Mb/s)
  • 4096 x 2160 from 1 to 120 fps (150 to 300 Mb/s)
  • 3840 x 2160 from 1 to 120 fps (72 to 300 Mb/s)
  • 1920 x 1080p from 1 to 300 fps (20 to 200 Mb/s)

ProRes RAW/ProRes RAW HQ

  • 5728 x 3024 at 23.98/24.00/25/29.97/50 fps (1 to 4.2 Gb/s)
  • 4096 x 2160 at 23.98/24.00/25/29.97/50/59.94 fps (1.1 to 4.2 Gb/s)
  • 1920 x 1080 at 23.98/24.00/25/29.97/50/59.94 fps (121 to 454 Mb/s)

H.264/MOV/MPEG-4 AVC 4:2:2 10-Bit

  • 5728 x 3024 at 23.98/24.00/25/29.97 fps (1000 to 1900 Mb/s)

H.264 ALL-Intra/MOV 4:2:2 10-Bit

  • 4096 x 2160 from 1 to 59.94 fps (400 to 800 Mb/s)
  • 3840 x 2160 from 1 to 59.94 fps (400 to 800 Mb/s)
  • 1920 x 1080p from 1 to 240 fps (200 to 800 Mb/s)
  • 1920 x 1080i at 50/59.94 fps (100 Mb/s)

H.264 Long GOP/MOV/MPEG-4 AVC 4:2:2 10-Bit

  • 4096 x 2160 from 1 to 59.94 fps (150 to 200 Mb/s)
  • 3840 x 2160 from 1 to 59.94 fps (150 to 200 Mb/s)
  • 1920 x 1080p from 1 to 240 fps (100 to 200 Mb/s)
  • 1920 x 1080i at 50/59.94 fps (50 Mb/s)
External Recording
  • 4:2:2 10-Bit
  • 4096 x 2160 at 23.98/24.00/25/29.97/50/59.94 fps
  • 3840 x 2160 at 23.98/24.00/25/29.97/50/59.94 fps
  • 1920 x 1080p at 23.98/24.00/25/29.97/50/59.94 fps
  • 1920 x 1080i at 50/59.94 fps

Raw 12-Bit

  • 5760 x 4320
  • 5744 x 3024
  • 4096 x 2160
Max video resolution 6K
Max frame rate at max resolution 50p
Max frame rate at UHD 120p
Codecs H.265 Long GOP/MOV 4:2:0 10-Bit, ProRes RAW/ProRes RAW HQ, H.264/MOV/MPEG-4 AVC 4:2:2 10-Bit, H.264 ALL-Intra/MOV 4:2:2 10-Bit, H.264 Long GOP/MOV/MPEG-4 AVC 4:2:2 10-Bit
Max frame rate at DCI 4K 59.94p
Bit depth and chroma 10-bit 4:2:2 internal
Max bitrate 4200Mbps
Gamma / log profiles Panasonic V-Gamut, Panasonic V-Log
Active cooling Yes
Audio recording 24-bit 48 kHz LPCM, 2-channel
Built-in ND filter No

Storage

Card slots 2
Card types 1x Slot 1: CFexpress Type B; Slot 2: SD UHS-II [U3/V30 or Faster Recommended]
Internal storage No

Stabilization

In-body stabilization (IBIS) Yes
IBIS rating 7.5 stops

Connectivity

USB 1x USB-C Input
HDMI output Full-size Type-A
Wi-Fi 802.11ac
Bluetooth Bluetooth 5.0
3.5mm mic input Yes
3.5mm headphone output Yes
Flash sync terminal Yes
Hot shoe 1x Hot Shoe

Power

Battery DMW-BLK22
CIPA battery life (LCD) 380 shots
CIPA battery life (EVF) 360 shots
CIPA video recording time Approx. 90 min
USB power delivery Yes

Body

Weight (body only) 721g (1 lb 9.4 oz)
Dimensions 138.4 x 100.3 x 99.6 mm (5.45 x 3.95 x 3.92 in)
Weight (with battery and recording media) 805g (1 lb 12.4 oz)
Weather sealing Full weather sealing
Chassis material Magnesium alloy
Tripod thread 1/4"-20