Some of the First-Ever Photos Taken in Space Have Been Lovingly Restored

An astronaut in a white spacesuit is outside a spacecraft, floating above Earth with the blue planet and its atmosphere visible in the background against the blackness of space.
Richard Gordon riding his spacecraft like a cowboy. He was attaching a tether between two vehicles and would later separate and spin them to produce the first artificial gravity in space. | NASA / ASU / Andy Saunders

After the Soviet Union launched the first satellite into orbit and followed it up by sending the first person into space, the U.S government responded by forming NASA, and later President John F. Kennedy declared, “We choose to go to the Moon.” The Apollo missions are famous, but they were preceded by Mercury and Gemini.

For photo restorer Andy Saunders, these early American efforts are treasure chests of source material for him to work with. Having previously released a book on the Apollo missions, he turned to Mercury and Gemini for his latest project — the missions that carried the first Americans into space.

Saunders trawled through 5,000 photographs taken by Mercury and Gemini astronauts, he looked for photographs that held beautiful aesthetic qualities, were historically significant, or just poignant photos that tell a human story. The entire process took three years.

An astronaut in a silver suit and helmet sits inside a spacecraft surrounded by control panels, instruments, and machinery, with light reflecting off his visor.
John Glenn during the fiery re-entry, holding steadfast, believing his heatshield had come loose and he may burn up in the atmosphere — the capsule is illuminated in orange light due to intense heat. | NASA / ASU / Andy Saunders
A spacecraft orbits above Earth, with its metallic body and golden heat shield visible, set against the blue and white curved horizon of the planet below.
Taken on a Hasselblad 70mm with 80mm f/2 lens by Tom Stafford. | NASA / ASU / Andy Saunders

Saunders reveals to the BBC Sky at Night Magazine that he was able to get access to the original negatives held by NASA. The photos are some of the first-ever taken from space of the Earth.

“The RAW files aren’t ready-to-view straight from the scanner, but buried within them is an extraordinary amount of visual information, just waiting to be revealed by applying digital processing, and some time and effort,” Saunders tells the BBC.

Like his Apollo project, Saunders also included data from the 16mm motion picture film the astronauts shot. He stacked the frames to bring out extra detail, a process he calls “painstaking” but rewarding.

“When color leaps to life, when long-lost detail reappears, it’s a thrill. It feels like archaeology: brushing dust off a hidden treasure and revealing something extraordinary buried for decades,” Saunders adds.

An astronaut in a spacesuit, with a patch labeled "Lovell," sits inside a spacecraft, looking upward and smiling. Control panels and equipment are visible around him.
Three frames of 16mm motion picture film stacked and processed. Astronaut Jim Lovell looks out of the window during Gemini 7. | NASA / ASU / Andy Saunders
A satellite or spacecraft orbits above Earth, connected to a long, thin tether, with the blue planet's clouds, ocean, and landmass visible below against the blackness of space.
Taken on a Hasselblad SWC 70mm, with a 38mm lens by Buzz Aldrin. | NASA / ASU / Andy Saunders

The Gemini missions are particularly noteworthy for the lofty altitudes achieved. Gemini 11 flew over 800 miles (1,290 kilometers) above the Earth, a record that was only recently surpassed in 2024 by Polaris Dawn. For reference, the International Space Station flies at 250 miles (400 kilometers).

“The photos have a unique aesthetic, clearly referenced in modern sci-fi. The suits and spacecraft look retro yet somehow futuristic,” Saunders says. “And the internal shots, now restored, of these brave astronauts risking everything, have an emotional depth that may never be replicated. All this, combined with the warmth and tonal richness of film, perfectly captures the era.”

A cylindrical spacecraft or rocket floats above Earth's surface, with a trail of white material streaming from its side over a landscape of brown and blue terrain below.
NASA / ASU / Andy Saunders

No AI

Saunders is at pains to point out that absolutely no AI tools were used during his process, saying that doing so would undermine the entire project.

“This is historically important imagery, if you apply AI, all the provenance is gone. You can call it a piece of art if you’d like, but it’s not a photo,” he tells Space.com.

An astronaut in a spacesuit takes a selfie in space, with Earth and part of a spacecraft visible in the background. Bright sunlight illuminates half of the astronaut's face and helmet.
Buzz Aldrin selfie on a Hasselblad SWC 70mm. | NASA / ASU / Andy Saunders

Saunders sees his Gemini and Mercury Remastered book as more than a restoration project. “It’s the visual record and the story of when we humans first left Earth, seen through the eyes of those who risked all to make it happen,” he says.

Gemini and Mercury Remastered by Andy Saunders is published by Black Dog & Leventhal Publishers in the United States, an imprint of Hachette.

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