Video restorer NASS, who has a passion for restoring and upscaling old videos using neural networks, has breathed new life into footage of a busy San Francisco street originally shot on April 14, 1906.
The Rijksmuseum in Amsterdam has released an interactive photo of The Night Watch painting by Rembrandt in a staggering resolution of 717-gigapixels. The museum claims it is the highest resolution photo of artwork ever captured.
For the first time in 300 years, viewers can enjoy "The Night Watch" -- the iconic painting by Rembrandt -- in its entirety thanks to high-resolution photography and computer learning efforts.
Toby Ord was disappointed at the selection of Earth photos available compared to views we have of other planets, so he decided to try his own hand at restoring older Apollo astronaut photos of Earth to reveal more of our planet's beauty.
I’ve been restoring and also coloring historical photographs for a little over two years. Towards the end of last year, I received a request to work on an image of Abraham Lincoln. Little did I know, this request would change the direction of my work forever.
Want to see what life in the streets of Paris was like over a century ago in the late 1890s? Film restorer Guy Jones collected old footage shot between 1896 and 1900, slowed it down to a natural speed, and added sound for ambiance. This beautiful 6-minute experience is what resulted.
I’m Nick Harris, a photo restorer and colourizer at Photo Restoration Services. I take immense pride in my work and the preservation of memories for future generations. I’d love to share a recent project of mine, of colorized Victorian prisoner mugshots.
When legendary director Orson Welles of "Citizen Kane" fame was all of 23 years old, he made his first movie meant to be seen by a paying public. Dubbed "Too Much Johnson," the silent slapstick comedy was to be shown in three parts, one before each act of a Welles' adaptation of the 1894 play by William Gillette.
The play wound up opening to disastrous reviews without the film, and in a tragic turn of events, what was thought to be the only copy of the film was destroyed in a fire at Welles' villa in Spain. Fortunately, that wasn't the case.