vfx

Incredible Real-Time Visual Effects Tech Replaces Green Screens with LED Walls

Real-time in-camera VFX might sound like a pipe dream, but Unreal Engine has just published a demo that shows exactly that with Project Spotlight. Using "next-generation virtual production tools," Project Spotlight is able to render and manipulate real-time environments with startling realism, replacing green or blue screens with LED walls.

This Sneaky Ode to Compositing Has a Lot More CG Elements Than You Think

Visual effects artist Roy Perker is tired of people saying that VFX and digital compositing "looks fake." So he created this fun little video to show off his own compositing skill, and educate people on what it takes to seamlessly blend real footage and computer generated imagery on screen.

This Haunting Short Film Was Created by Erasing Everyone in Photoshop

It took 2 months for photographer and filmmaker Mathieu Stern to create his haunting short film "Alone in Paris." That's because it wasn't shot at odd hours when Paris' streets were empty... every scene was shot at 2pm on a weekday and then painstakingly cleaned up in Photoshop!

755MP 300fps Lytro Cinema Camera Captures a 3D Model in Every Frame

Lytro has ditched the world of consumer cameras, and if the Lytro Immerge wasn't proof enough of this decision, their latest announcement should seal it. Yesterday, Lytro debuted "the world’s first Light Field solution for film and television," a 755MP cinema camera monster.

Why Photoshop Sucks (Except It Doesn’t)

Popular YouTube filmmaker and VFX artist Freddie Wong released this video a couple of days ago that has a lot of people talking. It's titled "Why CG Sucks (Except It Doesn't)." Over the course of 7.5 minutes, Wong argues that computer generated visual effects often get a bad rap because it's the bad CG that everyone notices -- by definition, good CG is largely invisible to audiences.

Before and After Comparisons of the Visual Effects in Mad Max: Fury Road

One of the big Hollywood blockbusters to hit the silver screen this year has been Mad Max: Fury Road, which has gotten rave reviews, with many praising the insane and complex visual design of the film. If you were wondering what some of the shots looked like when they were originally captured on camera, here are some before-and-after comparison images showing those shots next to the final frames after visual effects were applied.

Grounded: An Eye-Popping Sci-Fi Short Filmed Using Canon DSLRs

It's mind-blowing what can be created these days using ordinary DSLRs, a small team of people, and a whole lotta skill with visual effects. The short film above, titled "Grounded", was emailed in to us by its creator Kevin Margo, who works as the visual effects supervisor at Blur Studios. He says that it was inspired by his father, who passed away from cancer. Here's the synopsis:

One astronaut's journey through space and life ends on a hostile exosolar planet. Grounded is a metaphorical account of the experience, inviting unique interpretation and reflection by the viewer. Themes of aging, inheritance, paternal approval, cyclic trajectories, and behaviors passed on through generations are explored against an ethereal backdrop.

It was shot using a Canon 5D Mark II for 24fps footage, a Canon 7D for 60fps footage, and the Canon 24mm, 50mm, and 135mm prime lenses. The software used in post include Vegas, PFtrack, Zbrush/Vray/Max, Fusion, and AE/MagicBullet.