Spanish artist Pejac has never been a man contained by the borders of a canvas; his art, often silhouette based, bleeds out of frames and into the real world.
Most of the time, this feat is achieved with nothing more than a disregard for those borders, but one of his series of works instead used forced perspective photography to achieve the same effect and create the illusion that his whimsical silhouettes were playing with the world outside his window. Read more…
To view photographer Romain Laurent’s Shadows project properly, he recommends that you first properly calibrate your screen. The photos are all dominated by blackness.
You see, they were all captured during the major blackout in New York City caused by Hurricane Sandy in late 2012. When the power went out in the city’s financial district, Laurent pulled out his camera in order to do a photographic study of light and shadows in the eerily dark areas of the city.
In December 2012, the Museum of Modern Art in New York City featured an interactive art installation by Philip Worthington called “Shadow Monsters“. The exhibit was created using a computer, a camera, two projectors, a light box, and some clever software. When visitors stepped in front of the light box, their shadows were magically transformed into creatures that were brought to life through sound and animation.
Photographer Joseph O. Holmes saw the unique exhibition as a photo project opportunity. However, instead of photographing the resulting monsters, he decided to turn the camera on the participants themselves, capturing their monster-making activities as a series of silhouettes.
This is probably the most beautiful video you’ll see today, this week, and perhaps even this year. Titled “Full Moon Silhouettes,” it’s a real-time video captured by photographer Mark Gee at Mount Victoria Lookout in Wellington, New Zealand. Gee writes,
People had gathered up there this night to get the best view possible of the moon rising. I captured the video from 2.1km away on the other side of the city. It’s something that I’ve been wanting to photograph for a long time now, and a lot of planning and failed attempts had taken place. Finally, during moon rise on the 28th January 2013, everything fell into place and I got my footage.
The video is as it came off the memory card and there has been no manipulation whatsoever. Technically it was quite a challenge to get the final result. I shot it on a Canon ID MkIV in video mode with a Canon EF 500mm f/4L and a Canon 2x extender II, giving me the equivalent focal length of 1300mm.
If you liked this one, also be sure to check out this video we featured earlier this month of a man slacklining in front of the moon.
Thanks for sending in the tip, Sam!
My wife Tori and I are suckers for a good silhouette. While out photographing, we are always scanning the environment for a good silhouette opportunity. We don’t nail every attempt, but over the past few years, we’ve picked up some simple tips that increase our chances of achieving a killer silhouette shot. If you want to execute a jaw dropping silhouette, put these tips to practice and chances are, you’ll accomplish your goal!
City Silhouettes is a beautiful project by Beijing-based photographer Jasper James that consists of portraits of city dwellers blended with the cityscapes in the background. There’s no Photoshop trickery involved — James uses reflections seen in glass and the images are composed entirely in-camera.
San Francisco-based photographer Ian Tuttle came up with this funky way of adding silhouettes to his Diana F+ photos without Photoshop — using some Elmer’s glue, he attached a couple 1/8” figurines (the kind meant for model railroads) inside the camera upside down. The resulting photographs show a couple shadowy tourists looking at each scene!
Putting Your Subject Inside Your Camera (via Lomography via Make)