I have always admired Sigma. It wasn’t regarded in the same league as it is today for its lenses until the Art series came out, but Sigma’s digital cameras have always been singular in design and purpose. The family-owned company has never been afraid to try something new, and honestly, that’s something we need to see a lot more of in the photography world.
Sony is on its second version of a pro-level 70-200mm f/2.8 G Master lens. Tamron recently released its second 70-180 f/2.8 G2 lens. A professional 70-200mm f/2.8 was one of the first lenses released by Panasonic for its Lumix full-frame bodies. And in all this time, where has Sigma been? Well, the wait is over. Sigma has finally released the 70-200mm f/2.8 DG DN OS Sports series lens, but was it worth the wait?
Sigma's long requested and highly anticipated 70-200mm f/2.8 DG DN OS "Sports" lens will arrive for $1,499 on December 7 for Sony E and Leica L mount.
YouTube channel Process X creates videos showing how a diverse range of products are made, and a new video takes viewers to Sigma's factory to show how a lens is manufactured.
Sigma has launched new teasers of its upcoming 70-200mm f/2.8 DG DN OS Sports lens, which will be "coming soon" to full-frame E-mount and L-Mount cameras.
Sigma has not released a new camera since 2021 and doesn't currently have an APS-C camera, otherwise known as a crop sensor, in its lineup. In fact, it hasn't made one since the sd Quattro in 2016. That should change, and I believe it's about to.
Alongside the Sigma 10-18mm f/2.8 DC DN Contemporary lens for APS-C mirrorless cameras, Sigma has announced the development of a new full-frame f/2.8 zoom lens, the Sigma 70-200mm f/2.8 DG DN OS Sports.
The first thing you notice about the Sigma 10-18mm f/2.8 DC DN Contemporary is just how compact and adorable it is. In fact, Sigma claims that it is the smallest and lightest ultra-wide APS-C zoom lens on the market. Having used it myself, I wouldn’t disagree with that statement.
Sigma has announced the 10-18mm f/2.8 DC DN Contemporary, the world's smallest and lightest f/2.8 zoom lens for APS-C mirrorless cameras. The lens is also Sigma's first to release simultaneously for L-Mount, Sony E-mount, and Fujifilm X Mount.
Last week, AsobiNet reported that some specialty camera stores in Japan had listed the Sigma 24-70mm f/2.8 DG DN Art lens for Sony E-Mount and Leica L-Mount as discontinued.
We've seen the 100-400mm f/5-6.3 DG DN OS Contemporary before because it's the current full-frame super-telephoto option from Sigma for mirrorless cameras. What we haven't seen before is a full-frame Sigma that has been specifically adapted for the APS-C-sized Fujifilm lens mount -- until now.
Sigma has announced that it is bringing the 100-400mm f/5-6.3 DG DN OS and 23mm f/1.4 DC DN Contemporary lenses to Fujifilm X-mount, bringing the total number of Sigma optics for the format to six.
While attending the CP+ 2023 show in Yokohama earlier this year, I visited with Kazuto Yamaki, CEO of Sigma Corporation, and one of the most savvy executives in the entire photo industry.
Megadap has announced its third generation Sony E-mount lens to Nikon Z-mount camera autofocus adapter, the ETZ21 Pro. It retains the super-thin design but ditches the USB port and can now be updated through the attached Nikon camera instead.
Sigma has been celebrating its 10th year in the Chinese market this July and is capping the festivities with a 35mm f/1.4 DG DN Classic that has the same optical construction as the original lens but without coated elements, which emphasizes flare and lightens contrast.
The L Mount Alliance has acquired two new members: Samyang and Astrodesign. While the latter is likely less known to photography enthusiasts, Samyang is quite a well-known brand that has become relatively respected over the last few years.
There are plenty of lenses with eye-watering prices, including a Leica APO-Telyt-R 1600mm f/5.6 lens that was custom-built for a Qatari prince for $2 million, but what about lenses that any photographer can buy or rent today?
Jordan Drake -- my YouTube partner -- hands me the Sigma 14mm f/1.4 DG DN Art lens, and the first thing that strikes me is just how bulky it is. The second thing that strikes me is that we need to go shoot some astrophotography with it.
Sigma has announced the "world's widest" f/1.4 prime lens: the 14mm f/1.4 DG DN Art. The company says this new optic was born from our engineers' passion for capturing the widest, brightest, highest-resolution, and most captivating starry sky images possible.
There just aren't a lot of ultra-wide full-frame prime lenses to choose from. There are plenty of zoom lenses to choose from, however, compact dedicated ultra-wides are in short supply. Cue Sigma to save the day with its brand new Contemporary series 17mm lens. But is this the hero we were looking for?
Sigma has announced three new compact prime lenses and the upcoming availability of three existing lenses for the Nikon Z-Mount.
When Sony and Sigma released lenses with nearly identical specifications (or at least nearly identical target customers), photographic gear scheduling marked a rare alignment. Photographically speaking, the concurrent launch of these two similar lenses is the equivalent of a full solar eclipse—incredibly rare and also amazing to see.
Sigma has launched a new three-part photography mini-series on YouTube that is similar to the format of Gone Fishing, but features Joe Cornish and Colin Prior, what the company says are considered two of the great British landscape photographers of all time.
Sigma CEO Kazuto Yamaki says that the company doesn't plan to develop any new Micro Four Thirds (M43) lenses due to demand that is "decreasing very sharply."
Sigma is launching support for Nikon Z-mount cameras with three prime lenses that are already available in five other mounts.
Sigma’s 50mm f/1.4 DG DN Art takes its place as the latest lens in Sigma’s venerable high-end lens line and is a welcome addition thanks to excellent performance and a low cost of entry.
Sigma says it aimed to redefine what a standard lens means for its support of mirrorless full-frame lenses when it created the 50mm f/1.4 DG DN Art, which balances size, weight, and autofocus with pro-level optical performance.
The Sigma 60-600mm for Sony E-Mount is a versatile, compelling, and unique lens with a mindblowing 10x optical zoom range. As with any all-in-one lens, it’s not without its compromises, and the $2000 price puts it up against Sony’s native FE 200–600mm f/5.6–6.3 G OSS, even though the Sigma has a more versatile zoom range.
Sigma's new 60-600mm f/4.5-5.6 DG DN OS Sports lens is the world's first 10x ultra-telephoto zoom lens for mirrorless cameras and features six stops of optical stabilization at the telephoto end and seven stops at the standard end.
Carrying on a tradition we started last year, PetaPixel has gathered its staff together to discuss the things they know, not just think, will take place over the course of the next calendar year. We're ready to be very, very wrong.