If we were to judge the X-A7 on the basis of the pictures that it takes, then we would highly recommend it.
If we were to judge the X-A7 on the basis of the pictures that it takes, then we would highly recommend it.
The Panasonic G9 is a very fast and effective camera for both 4K video and fast-action sports and wildlife photography.
The Tamron 35-150mm f/2.8-4 Di VC OSD is a smart choice for general shooting as well as portraiture, especially if you find that you run out of telephoto reach more often than you use the short end of your standard zoom lens’s range.
Our original review of the Sony A7 was enthusiastic but cautious. There weren’t many lenses and there were some handling quibbles, but it was an exciting new camera.
This is a top-notch lens and any photographer would be lucky to have it in their kitbag.
It’s snappy, it’s sharp, it’s stabilized and it even suppresses focus breathing… but it's a little rough around the edges, and at this price point that's enough to stop it short of greatness.
It’s not likely to appeal to pros, but the price, the zoom range and the step up to full frame image quality could tempt a lot of enthusiasts and upmarket bloggers.
The E-M10 Mark III adds 4K, better autofocus and revised controls to our favourite travel camera, though the 16MP sensor stays the same.
Canon wants to set high standards with its RF lenses, and the RF 15-35mm f/2.8L IS USM largely meets our expectations.
Boasting great image quality and a robust build, the Sigma 45mm f/2.8 proves that good things truly do come in small packages.
Canon has stuck to a winning formula with the G7 X Mark III, keeping the neat, rectangular, pocket-friendly design of its predecessor but adding much more powerful video capabilities for a new generation of blogging/vlogging enthusiasts.
If you're looking for a creative portrait lens that gives an enchanting effect, the Petzval 55mm f/1.7 MKII should be a strong contender on your list.
Big on design, big on performance, small on price – the Sigma 35mm f/1.4 DG HSM | A arguably represents the best of all worlds.
The GFX 100 is big and expensive compared to regular cameras, but in the world of medium format photography (sensors larger than 35mm full frame), it's a positive bargain. It's also a groundbreaking camera that changes our expectations about what medium format cameras can do.
Image quality is great, handling produces no complaints – this is a really solid lens that won’t let you down.
This low-profile lens for full-frame Canon cameras is a solid street photography tool.
Canon’s superb EF 35mm f/2 IS USM is a wide prime for all sorts of situations, finding a particular niche in street photography.
Extra features like class-leading macro mode and a sophisticated image stabiliser ensure that this isn’t just a budget version of a pro lens, but an excellent choice of optic in its own right.
The Canon EF 24-70mm f/2.8L II USM really is an excellent lens – there’s no quibbling with that.
The Canon PowerShot G9 X II is proof less can be more. If you're in the market for a compact camera that's as compact as possible, the G9 X II should be on your shortlist.
The Canon RF 85mm f/1.2 is massively expensive and specialised, but it does everything you’d hope and more.
The Panasonic Lumix S1 may not have the headline-grabbing megapixel count of its S1R stablemate, but it's around 35-per-cent less expensive, and though one of the pricier 24Mp full-frame mirrorless models available, it has a lot to offer.
Apart from lackluster corner-sharpness at 28mm, image quality is spectacular in all respects.
The Panasonic S 24-105mm f/4 Macro OIS makes a good standard zoom for a Lumix S1 or S1R body.
