The M10-R also happens to feature some of the latest digital technology to produce image quality to challenge any other full frame camera, and a shooting experience that remains unique.
The M10-R also happens to feature some of the latest digital technology to produce image quality to challenge any other full frame camera, and a shooting experience that remains unique.
GR fans, or GRists as Ricoh call them, will love this update of an iconic camera. But in the world of multi-lens camera phones the wider appeal of this fixed lens compact will probably be limited.
This superzoom lens doesn’t go overly large in telephoto reach but there’s plenty of wide-angle scope.
The Olympus M.Zuiko 100-400mm f/5.0-6.3 IS delivers pleasing results overall – albeit with the usual caveats that it's not at its sharpest when shooting at its maximum focal length, and you can't expect an f/6.3 lens to achieve the same results as faster and more expensive glass.
There’s no denying this new G Master lens is a pricey purchase but you certainly get what you pay for.
Vloggers and creatives more broadly will enjoy the simplicity of the Lumix G100.
The X-T3 is so good, in so many areas, that you really have to scrape the barrel to find anything negative to say about it at all.
The Sony A7R IV’s design tweaks make it handle better than the A7R III before it (though it can still be tiresome), and the resolution puts it well ahead of all its full frame mirrorless rivals for megapixels.
In the end, it does feel as if the Sigma fp is no more than an interesting alternative in the stills market, but a much more serious and fascinating option for videographers.
When you want a wider viewing angle than your 24-70mm zoom can deliver, this is the ideal prime lens for Z 6 and Z 7 cameras.
It might not be one of Sony's G Master lenses, but the Sony FE 12-24mm f/4 G is a high-performance lens that enables extreme wide-angle shooting, adding fresh potential to Sony’s full-frame E-mount cameras.
The Sony A9 II is a fast, ferocious full-frame sports camera. Its blistering burst speed and autofocus performance are matched by its phenomenal connectivity, which promises to be a game changer for pro shooters.
The Nikon Z6 is always going to be somewhat overshadowed by the more powerful and higher-resolution Z7, but actually it’s a much more versatile camera, as well as being much more affordable!
So while we can criticise aspects of the X-T30’s features and handling here and there, it is really just nitpicking.
If you want a camera purely for stills, and capturing fast action, the Nikon D6 is a powerhouse. The new AF system is fast and reliable, the ISO is unrivaled, and the cutting edge connectivity paired with clever software make this a powerful pro tool.
We liked the original X-T100 for its clean lines and user-friendly features, but the X-T200 ups the stakes with a big, vari-angle touchscreen, vastly better 4K video features and improved autofocus.
The Canon RF 24-105mm f/4-7.1 IS STM is a very capable lens, a real Swiss Army knife.
With its pro-grade, weather-sealed build quality, refined handling, fast autofocus and superb image quality, the Sigma 14-24mm DG DN Art is a top choice of super-wide-angle zoom for Sony and Panasonic mirrorless full-frame cameras.
Canon has created an excellent camera that makes a worthwhile upgrade from the 70D.
The Nikon D850 delivers all the image quality, handling and features we love in the D810 and then some. Its ability to capture the finest detail is exceptional and its continuous shooting speed is remarkable for a camera with this resolution.
We were expecting Fujifilm to put its latest 26.1-megapixel sensor into the new X100V, but the company has done a lot more besides.
The EOS 7D Mark II has been a favorite amongst Canon sports fans. Its weatherproofing means that it can be used in harsh conditions, and its autofocus system gets moving subjects sharp quickly.
The Olympus OM-D E-M1 Mark III is the ultimate all-round professional camera for general practice photography. When shooting sport, its autofocus can keep up with the mighty 1D X Mark III.
The Olympus M.Zuiko 12-45mm f/4 Pro is an interesting proposition. It's a smaller and more affordable version of the 12-40mm f/2.8 Pro, sacrificing speed and functionality in favor of compactness and macro capability.
