November 7, 2011

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Old School Flash Powder Compared to a Modern Day Flash

Maurice Ribble of Tech Photo Blog recently found the ingredients list for flash powder, which was used for state-of-the-art photographic lighting 150 years ago. After making some of the powder, he began to test it to see how it compares to modern day flashes (more specifically, a Canon 580EX II).

How to Use a 4×5 Large Format Camera

If you've never shot with a large format camera before, you might find this video illuminating. In it, photographer Simon Roberts walks us through the process of making prints using a 4x5 plate camera, from setting the camera up to watching the giant prints roll out of the machine.

USBCELL: Rechargeable Batteries That Suck Juice From USB Ports

USBCELL batteries might look like ordinary AA rechargeable batteries upon first glance. That is, until you see how they're charged. Rather than use a battery charger, the batteries are charged using the standard USB ports on your computer or laptop. They could come in handy on trips where you need power for your camera or flash, but want to avoid the hassle of a separate battery charger.

A Striking Look at How Focal Length Affect Head Shots

You've probably heard before that focal lengths between 85mm and 135mm produce the best head shots because they provide a desirable perspective in head shots, but how much of a different does the focal length actually make? Photographer Stephen Eastwood decided to find out, shooting 10 portraits of the same subject with focal lengths ranging from 19mm to 350mm.

Sorry for the Slowness and “Downness”

Sorry if you've had trouble accessing this site so far today. Our hosting provider, Rackspace, is having issues. Hopefully they can get things together soon. If you haven't already, subscribing to our RSS feed and/or daily email is another way to receive our posts! …

Panasonic Unveils the Lumix GX1 for Serious Shooters and GF1 Lovers

After photos of the camera were leaked a week ago, Panasonic has officially announced the Lumix GX1. The camera should satisfy GF1 shooters who loved the camera but were unhappy about the consumer-oriented GF2 and GF3 followup cameras. The 16MP Micro Four Thirds camera features a max ISO of 12,800, a solid build, .09 second autofocus (with iPhone-esque touch to focus), a 3-inch touchscreen, RAW mode, and 1080/60i HD video. The camera ships for $700 (body-only) starting in December 2011.