PetaPixel

‘The Photographer': A 1948 Documentary on the Life and Work of Edward Weston

Here’s an interesting 26-minute documentary about the life and work of 20th-century-photographer Edward Weston, a man who is considered to be one of the most influential American photographers and one of the masters of photography during his era. The 1948 film, titled “The Photographer,” was shot by American filmmaker Willard Van Dyke, an apprentice of Weston’s, who went on to become a very notable photographer in his own right.

Andrew Nadolski of On Landscape writes,

Admittedly the film is not the greatest piece of film making. It was produced for the United States Information Agency and could be described as quaint propaganda but it does show Weston at home at Wildcat Hill and revisiting some of the locations he made famous at Point Lobos, Oceano, Death Valley and Yosemite. The commentary, whilst bordering on the saccharin in places, does explain why a landscape photographer works as he does […]

It was just prior to the film that life had dealt Weston two cruel blows – he had been diagnosed with Parkinson’s and he had separated from Charis Wilson who was surely the love of his life. In the film we see a frail Weston who has lost a lot of the vitality that made him such a charismatic figure but for anyone interested in Weston’s work it is a rare and important record.

Two of Weston’s photographs, Nude (1925) and Nautilus (1927), are currently among the 20 most expensive photos ever sold, worth $1,609,000 and $1,082,500, respectively.

Edward Weston’s Nude (1925) (left) and Nautilus (1927) (right)

After doing an apprenticeship with Weston in 1928, Van Dyke partnered with Ansel Adams to found Group f/64 in 1932. The group consisted of 7 San Francisco-based photographers: Ansel Adams, Imogen Cunningham, John Paul Edwards, Sonya Noskowiak, Henry Swift, Willard Van Dyke, and Edward Weston.


P.S. If for some reason you want a much higher-resolution version of this film, you can download a 1.2GB file over on the Internet Archive.


Thanks for sending in the tip, Darren!


 
  • Samcornwell

    I just finished watching this documentary and I really enjoyed it. Much more than I thought I would. Some of the things I learnt…

    1. Weston likes cats. A lot.
    2. Back in 1948 the narrator Mel Brandt refers to Weston’s large format camera as ‘old fashioned’ and that he only uses it for better control over focus – nothing whatsover to do with quality.
    3. Composition is king – Rather hilarious 5 seconds at 18:17
    4. By the end, it felt more like American propaganda, but I didn’t mind that so much.
    5. Stiegletz once and for all, and finally, made sure the photograph could be considered as art.

    Thanks for posting!

  • http://www.richardsnotes.org Richard

    If you like Weston’s work I highly recommend this DVD:

    http://www.eloquentnude.org

    Charis Wilson was Weston’s model for most of his nude portrait work and this is as much about her relationship with him as his work. Well worth owning.