Leica Camera AG has opened a new flagship store and gallery in Chicago, marking a milestone moment that aligns with two major anniversaries: 50 years of Leica Galleries and 20 years of Leica retail. The launch reflects the company’s continued shift toward experiential spaces that combine photography, culture, and community.

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Last July, Sony surprised the photography world by unveiling the RX1R III, arriving so many years after the RX1R II that many RX1R fans had all but given up hope of a new model ever coming. Sony even released two more A-mount DSLRs after the RX1R II, to put the wait into perspective. So what took so long? Sony told PetaPixel that it needed to develop the right technology to make a new RX1R camera worth it, and that tech took time.

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Sony's full-frame Alpha cameras rightly get a lot of attention, especially among enthusiast and professional photographers and hybrid creators. However, the company tells PetaPixel it remains very committed to APS-C, and that demand for APS-C products has steadily increased over the years.

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The infamous camera cut-out at hockey arenas has claimed another victim, this time The Minnesota Star Tribune photographer Carlos Gonzalez's brand-new Canon RF 70-200mm f/2.8L IS USM.

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Professional architectural photographer Mike Kelley has achieved extensive commercial success but has remained dedicated to personal artistic projects as well. These personal projects have often been the ones to lead to Kelley's "craziest opportunities," including one that took him to NASA's Michoud Assembly Facility to photograph the Orion crew capsule and SLS rocket that just last week carried four brave Artemis II astronauts into space to orbit the Moon.

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If there is a villain in The Stringer documentary, then it is not so much Nick Ut, the AP photographer who has long been credited with taking the famous Napalm Girl photograph, but Horst Faas, the Chief of Photos in Saigon who allegedly swapped the credit on Napalm Girl.

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Photographer Steven Madow has been photographing rocket launches for over a decade, but arguably no rocket launch he has photographed has been as big of a deal as the Artemis II launch on Wednesday, April 1. Madow set up 14 different Panasonic Lumix cameras to cover the monumental event, including seven remote cameras at the launch site. His outstanding photos are the result of years of practice and planning.

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Photographer Jon McCormack's new monograph, "Patterns: Art of the Natural World," is a beautiful visual love letter to nature and all its intricate patterns, from microscopic and rarely-seen to vast and majestic.

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As its name suggests, National Geographic's new two-part documentary series, "Secrets of the Bees," turns the lens toward one of Earth's most important inhabitants: bees. The series is fascinating, full of interesting information and science about bees, but also replete with exceptional cinematography. The miniseries has many fantastic close-up shots of bees, unlike anything captured before.

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Sports journalist David Jablonski is a multimedia pioneer. For nearly two decades, he has achieved a journalism trifecta: writing, photography, and videography.

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Tamron is focused on making lenses that no other manufacturer does. A consequence of this is that Tamron makes a lot of zoom lenses, although the company reiterated to PetaPixel at CP+ 2026 that it is not opposed to making new prime lenses, but it needs to be the right prime, a unique offering.

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Nikon's original Nikkor Z 24-70mm f/2.8 S and Nikkor Z 70-200mm f/2.8 VR S lenses were already superb when they were released in 2019 and 2020, delivering great optical performance and dependable autofocus inside a well-designed chassis. However, much has changed in lens design in the years since, and Nikon's even better, significantly lighter 24-70mm f/2.8 S II and 70-200mm f/2.8 VR S II zooms reflect multifaceted technological advancements.

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When Ricoh announced the GR IV Monochrome, many fans of the format first cheered because it was a long time coming, then cried in dismay at the cost. Many voiced opinions that it was a "cash grab," but Ricoh explains that matching optics to the specialized sensor was just very costly.

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Photographers would be forgiven for thinking that Panasonic is no longer committed or interested in developing new Micro Four Thirds products, but as the company told PetaPixel at CP+ 2026 in Japan, it is still very much interested in developing new MFT products that capitalize on the format's core strengths.

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Photographers often feel like certain camera technology has plateaued. Sure, sensors get a little better, autofocus improves with each generation, and cameras are faster than ever. However, camera tech rarely improves by leaps and bounds like it once did. Canon believes AI may fuel many of the biggest camera tech breakthroughs in the coming years.

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For the last couple of years, PetaPixel has asked OM System executives about the company's plan for the beloved Pen series. Previously, the response has been tepid, so it didn't ask again this year. Surprisingly, OM System executives brought it up instead.

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Panasonic Lumix makes fantastic hybrid cameras that perform well in a variety of situations. However, many argue that most aren't particularly good-looking cameras.

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For over a decade, Panasonic Lumix has been at the forefront of video production in an affordable and compact package. But in speaking to PetaPixel at CP+ earlier this year, the company also expresses a desire to be recognized for photography -- just not for high-end sports.

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Leica Camera AG announced a significant expansion of its flagship Leica Oskar Barnack Award (LOBA) this year, introducing the LOBA Women Grant, a new initiative to fund and elevate the work of female photographers worldwide. It is part of the company's broader focus on amplifying important voices in photography.

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When Canon unveiled its first mirrorless full-frame camera, the EOS R, in 2018, the company touted its new EOS RF lens mount. While it has the same 54-millimeter diameter as the DSLR EF mount, the RF mount's flange distance is significantly shorter, shrinking from 44 millimeters to just 20. Canon promised that this would enable bold new lens designs, and the company's latest lenses show that as well as any of Canon's 60-plus RF lenses.

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