widescreen

Moment's new 1.55x anamorphic lens with gold flare promises to bring a classic Hollywood look to video shot on iPhone.

The Epson 2020 Pano Awards recently concluded, naming winners from around the world in multiple categories. The awards are designed to showcase the work of panoramic photographers and is the largest such competition in the world.

I've recently become obsessed with the idea of shooting (something close to) true, 2.35:1 ratio CinemaScope anamorphic on my DSLR camera. This is pretty easily done if you can spend $1,000+ on an anamorphic lens made specifically for a DSLR camera... but I don't have that kind of cash, so I went another route.

After some research, I found that other DIY filmmakers are re-purposing old film projection lens, typically used in movie theaters, to "correct" the compressed anamorphic image into what we see on the screen as 2.35:1 CinemaScope.

Directors have always utilized different ways to conveying themes and emotions through their work. Noted filmmakers such as Hitchcock were masters of cinematography: using camera angles and particular focal lengths to convey their messages. YouTube channel ‘Now You See It’ recently released the above video that delves into how aspect ratios can also have a profound effect on the content we are viewing.

As a photographer, I’ve long been an advocate of a dual screen set-up for a more efficient workflow. After all, what is better than having the ability to spread out all your applications palettes across multiple screens? For a couple of years now, I’ve had a Dell U2412M 24” (1920x1200) and Dell U2713HM 27” (2560x1440). That is no longer the case...