Wacom recently expanded its lineup of entry-level pen tablets, adding the $600 Wacom One 13 Touch Tablet, the first pen display in its category to feature 10-finger multi-touch gestures.
Most "serious" astrophotographers will balk at the idea of a smart telescope. While it may miss some of the professional level tools, resolution, and precision, the $2,499 eQuinox 2 from Unistellar does provide easy access to the cosmos for up to 10 viewers at a time, making it a great (albeit expensive) tool for beginners and casual stargazers to enjoy viewing interstellar objects in minutes.
The Nikon Zfc is one of the most beautiful modern mirrorless cameras, and I would argue, the classiest. You're all welcome because for years I hounded Nikon to recreate the famous Nikon FM/FE look in a digital format, and with the Zfc it finally happened. I'm taking all the credit.
Apple's iPhone 15 Pro and Pro Max bring a lot to the table across the board, from a gaming-ready chip, to USB-C, and -- of course -- photography. It is that last point where we are putting the emphasis, and this review is specifically for those of you who care about the iPhone as a camera.
The original Panasonic G9 was quite a revolutionary camera. Built around a modern and intimidatingly professional-looking body, the G9 featured blazing-fast burst rates, an exceptionally good EVF, and motion-compensated multi-shot mode. However, it has been seven years since the G9 launch -- a long time to wait for a successor.
A while ago, after I reviewed an inexpensive shift lens, Pergear contacted me to review a lens available only in Sony and Nikon mounts. I told them I did not have cameras that would take the lens. Later, I learned that they reissued their 60mm f/2.8 macro lens, Mark II.
Foldable phones are probably going to be a viable part of future mobile devices, but for now, they’re not moving the needle forward in image quality. The Samsung Galaxy Z Flip 5 is no different, except it makes a better case that the rear camera lenses are much better off when there’s a larger cover screen all around them.
It seems like every year a new GoPro action cam model is released. This creates a dynamic where changes are often incremental and many users hold off on purchasing the latest and greatest. However, every once in a while, GoPro makes a worthwhile change that demands attention. Is 2023 one of those years?
The original Sony a7C was very much an entry-level camera. I really liked the minimalistic styling; a strong departure from the boxy DSLR look of the other Alpha cameras, and it was easy to navigate, but suffered from what many entry-level cameras suffer from: a lack of manual control dials, and a bargain basement viewfinder. But now we've got an upgrade. Or rather, upgrades.
The classic professional photographer's kit has for decades consisted of the holy trinity of f/2.8 zoom lenses: a 16-35mm, 24-70mm, and 70-200mm. Armed with these, a photographer can cover almost any shooting situation. When Sony first started its full-frame mirrorless camera line, it quickly made these professional zoom lenses under the G Master moniker. Unfortunately, these lenses were not able to deliver the high-grade results that many of the other brands could.
If you’re looking for dramatic shifts in image quality from Samsung, its foldable phones aren’t going to give it to you. Instead, you get a combination of incremental changes and far more flexibility in deployment than you otherwise might with a standard smartphone.
In the last decade, 4K video recording has gone from a format only used in high-end productions to a feature found on even the most entry-level cameras and smartphones. It was inevitable that there would be another resolution bump as sensors and computing power improved, and now we have a number of compelling full-frame mirrorless cameras that can record 8K video internally (right to the memory card). We decided to compare the most compelling 8K-capable, full-frame mirrorless cameras to see which was your best option today: the Sony Alpha 1, Canon R5 C, and Nikon Z8.
Viltrox stepped up to the plate last year and delivered its first pro-level lens in the form of the AF 75mm f/1.2, which is a devastatingly good lens. It has followed that with the 27mm f/1.2 that has a tempting price of just $545.
A while ago, I reviewed a couple of attachments by Apexel for phone cameras. They asked me to review their night vision scope but I told them nobody would believe my review of a product like that! I inquired if I could write a review of a couple of LED light kits and they agreed.
If there was ever a focal length that the manufacturers tend to put by the wayside, it's the trusty 28mm prime lens. You see, ultra-wide lenses are dynamic and 24mm lenses are admittedly more versatile. However, the 28mm range is probably my preferred focal length for walking the streets with only one prime lens.
A 12mm full-frame equivalent lens isn't my idea of a versatile do-everything piece of kit, but Fujifilm really needs something like this to supplement the very expensive -- and heavy -- XR 8-16mm f/2.8 zoom. That is a great lens, but it's beyond many people's needs and budgets. Enter the Fujifilm 8mm f/3.5 prime.
The 105mm macro lens has been a long-standing staple lens for most professional photographers, and I have never met a wedding photographer who didn't have one in their kit.
In my line of work, a lot of cameras corss my path. Like any good tools, they only do their best work when they match the specific tasks for which they were intended. It seems that lately, the majority of cameras I've looked at have been fairly pricey devices, so I was happy to get to review a new affordable entry onto the market. And of course, I don't have expectations that it will compete with higher-end products, but can the $479 EOS R100 even do what it was designed to?
If there was even a sliver of doubt that Xiaomi wanted the mobile photography crown, the 13 Ultra is the phone to dispel that notion and cement that pursuit. Xiaomi equipped it with the tools to take on the best, no matter who the other brands are.
Sony has been working hard to re-release new iterations of its existing lenses because although many of the early lenses were decent, they still left much to be desired. The original G Master zooms, for example, were priced like high-grade professional lenses, but came up short optically.
Venus Optics had a big hit with the original Laowa 24mm f/14 probe lens. What first garnered snickers and jokes, proved to be a unique video lens and the peri-probe lens with a 90-degree rotating end soon followed. Now Laowa has some serious competition from a company with a name I struggle to pronounce.
Pen display tablets have been getting better and more affordable, so it makes sense that all-in-one devices like the Huion Kamvas Studio 16 would follow the same path. But what makes this device a little different is it's a pro pen tablet made for designers, illustrators, and photographers to help them get their art created quickly and easily while also being a fully functional Windows PC.
I recently stated that the Alpha 7RV is my favorite Sony camera to date, and one of the most ideal platforms for what I want personally in a camera. Since then I've had the pleasure of using the Nikon Z8, and it has definitely made an impression on me as the best Nikon camera I’ve used so far. When we saw that the price was similar, it made perfect sense to do a shoot-out between the two.
Lume Cube has been producing some interesting and creative lighting solutions for both photographers and videographers over the last few years that add an impressive amount of versatility to their users toolkits including the Tube Light Mini. That being said, the question remains that given the number of competing RGB lights on the market, are they good enough, and are they worth it?
My friend Cemal Ekin of Kept Light Photography asked me to try the Apexel FL07 RGB LED light kit and provide my comments.
How do you make the excellent Tamron 11-20 f/2.8 DI III RXD for Sony E-Mount even better? You release it for Fujifilm X-Mount as well.
Product photography is often considered one of the most complicated and challenging genres. Besides having the right lenses and props to decorate the shot, you'll need a variety of light shaping options to create the best looking photos. This is where the $399 Halumin H18 Soft Light brings something interesting to the table.
Vivo saves its best camera features for its flagship X-Series, but some of that trickles down to devices like the V27 Pro. It’s just a question of how much happens to fall into place.
Vecteezy is a significant player in the stock image space, providing visual content for some of the world's top brands. Vecteezy recently launched a reverse image search feature that relies upon artificial intelligence (AI) to deliver licensable media matching an input image.
Apple pretty much always hypes the performance of its machines, but in recent years that hype has been justified. The M2 Ultra sounded like an impressive chip on paper, but does it actually do enough to earn its asking price in a market that has gotten very competitive?