Forget classes and skill and gear and taking good photos, what you really want is to LOOK like a professional photographer, right? Good, because Kai Man Wong and the DigitalRev TV team are here to show you how to do just that.
Enthusiasts of bitcoin, the electronic cryptocurrency, have more ways than ever to spend their digital cash. But should professional photographers try to take advantage of the growing popularity of bitcoin and similar systems by accepting it as payment for their work?
A few photographers say so, but first, what is bitcoin and how does it work?
Okay, we know you've asked for less time-lapses and we're doing our best to kick the habit, but this one couldn't be helped, and we're pretty sure you'll forgive us. It's not your standard stunning landscape time-lapse, this one shows the remarkable attention to detail and skill that goes into taking a great photograph of a Rolex watch, and making it phenomenal.
Well, we started the photography tips train rolling earlier today with four incredibly informative short interviews with portrait master Gregory Heisler, and what better way to follow that up than with some great tips from the sillier side of the photo industry: the folks over at DigitalRev.
One commonly asked (and commonly mis-answered) question on the Internet these days is around the definition of what constitutes a ‘professional photographer.’ The usual definition is that it is somebody who is shooting for pay, and deriving the majority of his or her income entirely from photography or photography related activities. I suppose in the strictest sense of the definition, that is true. However, it says nothing about professional conduct or skill.
What I’m going to attempt to do in this article is express my own views on what I believe constitutes professional behavior in photography. It is important to note, however, that this is a very personal opinion, although it is shared by many of my colleagues in all areas of the industry -- both primary providers of photographic imaging, as well as supporting services and videography/cinematography.
What if I told that you could get wedding photos at a fraction of the cost that professionals will charge you, would you be interested in that? I bet you would because there are a heck of a lot of people out there that think wedding photographers are way too expensive, charging you thousands of dollars just for a few pictures.
I started getting into photography when I was in my mid-to-late teens. I bought a 35mm Minolta XG7 at a local yard sale during my freshman year, and around the same time I took a 3 week summer darkroom course at a local community college. I got really in to it, but when I finally finished high school I went straight into the workforce. I jumped around various manual labor and retail jobs until I was 21. This is when I got married, and shortly thereafter I began considering the distant possibility of making a career out of my hobby.
The transition from being a "hobbyist" to being a "professional" photographer was slow and seemed to creep up on me. I've been professional now for 6 years (as in, it's been my only job), and you can find my work on my website. Here's the story of my journey.
There has been a lot of talk recently about how best to succeed as a professional photographer, now that "everybody is a photographer." A recent post here by Alex Ignacio emphasized how important it is to “specialize and focus” -- Ignacio believes that if we don’t, we’ll “perish”.
As someone who trains aspiring commercial photographers, I agree that some doors may shut if you don’t specialize, but many more will open if you’re versatile.
Light meters are less common now than they used to be. Now that we can see our photos right after we've shot them and delete, adjust settings and re-shoot, some people just don't see the merit in spending $300+ on a professional meter.
Of course, a light meter can be an amazing tool, and so the folks at Lumu Labs have designed one they're calling "the light meter of the 21st century": a tiny, iPhone attachable light meter that claims to perform far outside its price range.
Battle hardened photographers will tell you that theirs used to be an elite profession, difficult to do, hard to enter, and accorded the proper respect. Now that everyone and their grandmother has a super computer/camera in their pocket or purse or on their face (read: Google Glass), it seems like everybody is sharing their filtered masterpieces with the entire world.
And like our very own Cheri Frost wrote, next is for the camera-ed masses to hang out their shingles and call themselves professional photographers.
Chicago Sun-Times photographers, who lost their jobs in a mass layoff last week, are not going quietly into oblivion.
We all know by now how Yahoo CEO Marissa Mayer unleashed the collective fury of photographers and the creative community during her presentation of the new Flickr with a few poorly chosen words. She has since clarified her statement, but the real issue is that the distinction between photographer and professional photographer is fuzzy at best in the minds of most people, particularly those that know little about the world of photography.
This appears to be a big week for Yahoo! with their $1 billion Tumblr acquisition announcement followed by a number of changes to their Flickr service. Exciting stuff in the tech world. However, amid the Yahoo! hoopla, CEO Marissa Mayer managed to insult the entire professional photography community with her comments, being widely interpreted as “there’s no such thing as professional photographers” anymore.
...there's no such thing as Flickr Pro, because today, with cameras as pervasive as they are, there is no such thing really as professional photographers, when there's everything is professional photographers. Certainly there is varying levels of skills, but we didn't want to have a Flickr Pro anymore, we wanted everyone to have professional quality photos, space, and sharing." -- Marissa Mayer, Yahoo Event, May 2013
Woah, there, Yahoo cowgirl...let's hold on just a second!
Photographers often grumble about the rise of hobbyist photographers who charge little to no money across all kinds of photographic niches, robbing hard working professionals of clients and flooding the market with subpar results.
Instead of simply being discontent about how the industry has been changing, photographers Geoff Johnson and Kameron Bayne decided to do something about it. They've created Fotoseeds, a business that aims to make professional photography a sustainable profession by educating photographers, helping them grow their businesses, and doing away with insecurity and ignorance.
The Onion has published a humorous tongue-in-cheek piece that many non-professional photography enthusiasts …
In late 2012, Photoshelter surveyed around 5,000 photographers to find out the industries outlook on 2013. Some of the findings were pretty interesting.
The chart above shows the top challenges the photographers think they'll face in 2013. Only 10% of those who responded were worried about gear-related issues. People don't seem to be having a hard time finding the right equipment to use for their shoots -- it's the business-side of the photography business that's weighing photogs down.
Zack Arias is a professional photographer based in Atlanta who runs a popular personal blog with a sizable following. He's also runs the photography equivalent of Dear Abby.
Professional photographers are often hired to capture moments in life that are memorable and emotional -- two words that aptly describe military homecomings. The number of photographers hired to shoot homecomings is reportedly growing, as more and more families are hiring professionals to document the reunions that occur when soldiers return from war.
Ever wonder what the average age of professional photographers is?
A brief exchange during a passing conversation a few days ago got me thinking. Someone said something about how lucky I was to make a living as an artist. I immediately corrected them; while immensely thankful for my career, a job where I get to wake up every day and make images, I felt obligated to point out that most of the time I am not, in fact, an artist at all.
At best, assignment photographers are craftsmen, not artists, solving other people’s problems and putting other people’s ideas into effect in the most timely and cost-effective way possible; to think otherwise is delusional.
Here's a thought-provoking video making the rounds online -- one that you might want to watch if you love photography and have been thinking hard about your career path. It's based on a lecture given decades ago by philosopher Alan Watts, who poses the question, "What would you like to do if money were no object?"
I have been taking pictures for almost twenty years now and so much has changed over those years. Back in the beginning gas used to cost $1.00, Bill Clinton was president, and I was picking up a camera for the first time. I started out in high school playing with my father’s Nikon FM2 and taking pictures for the school newspaper. Today, I work with a medium format digital back shooting national ad campaigns, magazine articles, and catalogs. Some aspects of how I photograph have stayed unchanged, but a great deal has changed considerably.
Do professional photographers belong in delivery rooms? More and more of them are showing up there. The …
I try to stay involved as much as I can with students studying photography at different institutions in the area. Every year I go back to RIT and do a lecture on the business of photography and I feel it's important that I do so.
Recently I got an email from a young photographer asking me about the career of being a still life/food photographer.
Consumer affairs blog The Consumerist caused a stir earlier this week by offering the following advice to people looking to earn some extra cash for the holidays.
The International Society of Professional Wedding Photographers did a study a couple years …
Here's the second half of Tamara Lackey's recent interview with photographer Chase Jarvis.
[...] Chase gets very real about how he deals with critics, actually taking pride in being disruptive. And, while on the topic of criticism, some thoughts on dealing with the voices in your own head.
We shared the first part last weekend.
Photographer duo Joachim Guanzon and Marden Blake (AKA aesonica) created this short behind-the-scenes …