For years photographer Chris Rainier has been captivated with the process of exploring the meaning of ‘sacredness’ in a world filled with numerous religions, identities, and increasing consumerism.
Some of the most enticing shots in portrait photography depict darker emotions, adding in elements of storytelling that include our shadow sides, and show the subject as a complex human. Portrait, documentary, and news photographers rely on emotions to draw viewers in.
How do filmmakers and photographers fake rain for the cameras? A team of creatives has shared a behind-the-scenes look at ways to add fake rain to scenes and how to combine it with lighting for a natural but atmospheric look.
England-based photographer Veronika Lavey is a self-taught artist who uses inspiration from poetry, novels, and personal emotions to produce moody, conceptual images that are akin to paintings.
Helsinki-based photographer and filmmaker Anders Lönnfeldt loves drone photography, architecture, and geometric compositions that draw you in. Now that he's found himself out of work due to the pandemic, he's bringing all three of those sensibilities together in a new series of done photos called Urban Aerials.
Photographer Dustin Dolby is back with another workflo tutorial that tackles a particularly tricky type of product photography: glassware. Specifically, he uses just two lights to create a "moody," backlit glassware shot that would be at home in any glossy magazine.
Rachel and Daniel of Mango Street—one of the most popular photography channels on YouTube—have put together a great, straight-to-the-point guide to capturing that "moody" style of portrait that's become a popular counter-point to the "dreamy" overexposed look that often dominates lifestyle imagery.
It seems the moody edit trend has been going strong for quite a few years now and it doesn’t appear to be slowing down. There’s probably not a better time of the year to capture moody landscape photos than the winter months.
Today is Earth Day, and while many will use the opportunity to share spectacular images of natural wonders still thriving, fine art photographer Joe Freeman is taking a darker tack. His series "Clearcut" serves as a poignant reminder of nature that is no more.
After the dissolution of the Soviet Union in 1991, photographer Alexey Titarenko observed how St. Petersburg streets that used to be lively and filled with joyful people had suddenly turned dark and gloomy, with people confused, malnourished, and worn out. He decided to capture this change by shooting the streets at slow shutter speeds, turning the downtrodden crowds into shadowy figures. He titled the resulting project "City of Shadows".