
Australian Art Museum Rebrands to Focus Entirely on Local Photography
The Monash Gallery of Art in Melbourne, Australia is rebranding as the Museum of Australian Photography (MAPh) to solely concentrate on the art form.
The Monash Gallery of Art in Melbourne, Australia is rebranding as the Museum of Australian Photography (MAPh) to solely concentrate on the art form.
At some point in their career, an artist will be approached by a gallery or will approach galleries looking for representation or to have an exhibition. You’ve had some success at local art shows and fairs and have made some inroads selling your photography online, but now you want to get your work out there and start looking for galleries to show your work or represent you.
Galeryst.com enables Adobe Lightroom users to create 3D virtual online art galleries to share their art. There are paid tiers, but photographers can make an 80-photo digital gallery for free.
A group of Italian museums from Bologna has introduced new augmented reality cameras that are designed to determine the appeal of exhibited paintings by collecting data on how many visitors view them and for how long.
Ann S. Moore is one of the most powerful women in the world according to Forbes and Fortune Magazine. Graduating from Vanderbilt University in 1978, Moore climbed the career ladder leading exciting positions including being the publisher of Sports Illustrated for Kids and People Magazine. She was crowned People Magazine’s president in 1993 and become the Chairman and Chief Executive Officer of Time Inc. in 2002.
Now, it is 2015; Moore has established a high-end art gallery in Chelsea, New York. The Curator Gallery, as it is called, focuses on a mission to “bring exposure to hardworking artists, as well as to educate and expand the pool of engaged, serious collectors”. We interviewed Moore, and if you have in interest in the business of art galleries or the process of having your work included in one then read on to learn more.
Does photography deserve a place in art galleries? Jonathan Jones doesn't think so. The Guardian art columnist has caused quite a stir after writing a piece titled, "Flat, soulless and stupid: why photographs don’t work in art galleries."
While Jones acknowledges that photographs can be "powerful, beautiful, and capture the immediacy of a moment like nothing else," he argues that they are, "poor art when hung on a wall like paintings."