Excellent image quality, 60fps shooting, polished handling and a wealth of advanced features add up to make the Lumix G9 a brilliant all-round mirrorless camera and Panasonic's best mirrorless camera to date.
Excellent image quality, 60fps shooting, polished handling and a wealth of advanced features add up to make the Lumix G9 a brilliant all-round mirrorless camera and Panasonic's best mirrorless camera to date.
An excellent buy for those looking for their first compact system camera. Image quality is good, handling is great and there's a good solid system for E Mount cameras.
This retro-styled, entry-level mirrorless interchangeable lens system camera with Instagram-style filters and a 'smile' shutter for selfies is aimed at 'phoneographers' after an upgrade, but it will be a learning curve for most.
Despite our reservations about the fiddly controls and dense menu system, no other camera does as much as the Sony A6500 does, and while being more affordable to boot.
The a7S II is the best video shooting stills camera available right now. It has more professional-level features than any other and it performs amazingly well in low light.
The Canon EOS 700D is a very capable and versatile camera that produces high quality images. It has a comprehensive feature set and affords all the control expected by enthusiast photographers while providing automatic hand-holding options for less experienced users.
The Alpha 7R II isn't perfect, but it's a very good all-rounder that's capable of delivering top-quality high-resolution images in a wide variety of situations – and it weighs a heck of a lot less than its DSLR competition.
Those looking for their first Nikon full-frame (FX) camera, however, will find that the D610 is a great choice.
Nikon says that the D810 produces the best image quality of any DSLR in its history and we can't wait to put that claim to the test.
The D500 is an excellent camera, and one that will serve many enthusiasts well, giving them the first-rate systems they desire in a smaller, more affordable body than the D5.
Fujifilm might have shrunk the camera, but it hasn't sacrificed performance. The X-E3 is everything you'd want in a compact-sized mirrorless camera.
The Olympus OM-D E-M10 Mark III might not be a massive leap forward over the Mark II, with much of the camera's specification remaining the same.
While there's now a decent selection of premium 1.0-inch sensor compact cameras to choose from, the Canon PowerShot G9 X Mark II sets itself apart thanks to its dinky proportions.
The Hasselblad X1D needs to be used at a slightly slower pace than full-frame rivals, but the payback is spectacular image quality and a very rewarding shooting experience.
Given the four-year gap between the Sony A99 II and its predecessor, it’s no surprise to see the A99 II as a significantly stronger camera.
It may have been replaced by the Mark IV, but the Mark III is still a great choice for those after a feature-packed full-frame DSLR.
The Panasonic Lumix G80 may not be the most radical upgrade we’ve seen in recent times, but there’s still an awful lot to like about it.
[A] 24-million-pixel DSLR with a 3.2-inch articulating screen, 39-point AF system and built-in Wi-Fi connectivity is still a good option for someone looking to take their photography more seriously.
Nikon has delivered an excellent camera in the Nikon D3200. Its Guide Mode is especially good and very useful for novice photographers.
The Pentax K-1 has an excellent collection of features that will appeal to serious photographers, and it feels good in your hand.
With the EOS-1D X Mk II Canon has created a powerful and versatile camera that's a great choice for professional sport and news photographers.
The Nikon D5 is a great camera and a worthwhile upgrade to the D4S, but there are a few niggles that if addressed could make it an absolute belter.
It's small, well made, has traditional exposure controls and it produces the quality of images that they have come to expect.
The PEN-F is an excellent camera with bags of features and lots of scope for customisation of both the controls and the appearance of the images it produces.