The Sony FE 24mm f/1.4 GM is somewhat of an anomaly for me. Don’t get me wrong, Sony makes a lot of really great lenses, but the 24mm is a unicorn as far as I am concerned.
The Sony FE 24mm f/1.4 GM is somewhat of an anomaly for me. Don’t get me wrong, Sony makes a lot of really great lenses, but the 24mm is a unicorn as far as I am concerned.
The Tamron 35-150mm f/2-2.8 has become a regular lens in my kit. It works exceptionally well for very fast-paced photo/video projects where I want to be able to create a wide variety of looks in a short amount of time.
At the end of the day, it’s a good quality lens with a lot of potential. It just needs a little more work than most Fuji lenses in creating brilliant images.
An extremely versatile wide-angle to medium-telephoto lens that gives great bang for your buck.
This is a great lens – there is no doubt about it. It is optically superior, has a good autofocus mechanism and is well built.
Affordable, reliable mid-range zoom with versatile focal range and fast maximum aperture.
The Sony 135mm f/1.8 came a time that I had given up on using a longer prime lens in my bag.
[T]his is the first one that I’ve had the pleasure of reviewing.
I had trepidations about the Fujifilm XF 18mm f/1.4 R LM WR lens after shooting with the original Fuji XF 18mm f/2. [...] However, I’m pleased to say that the Fujifilm XF 18mm f/1.4 is fast and delivers exceptional image quality.
When I first looked into the Olympus Tough series, I was a little dubious about the amazingly positive reviews.
I definitely see myself purchasing the Nikkor Z 17-28mm f/2.8 Lens as my ultra-wide angle lens option for wedding work.
If you have been considering going mirrorless, I would say the Sony a7R III is one of your best options. It has everything a full frame mirrorless camera should have and more.
[I]’ll definitely be buying this lens for my kit. It is a phenomenal performer and a great value.
I’m not much of a portrait photographer, but I’ve done my fair share over the years.
[...] I was very impressed with the Sigma 56mm f/1.4. It seems to have all the qualities of a top-performing lens: great build quality, excellent autofocus, impressive image quality, and fantastic value!
Ultimately, the Sony 70-350mm f/4.5-6.3 offers a unique combination of zoom range and ease of use that few competitors can match, making it perhaps the best lens for Sony camera users in its class.
If you’ve been using a zoom lens or kit lens and are ready to try a fast prime, I highly encourage you to check this lens out. It is a great all around lens for shooting travel, sports, weddings and events.
The D700 is smaller and lighter than the Nikon D3 which is over twice its price, but still affords the same incredible image quality.
I had a great time reviewing this camera, and am a little sad to see it go. It’s nice to have so much power in such a compact package, and the huge zoom lens is incredibly versatile, especially when you’re trying to travel light.
For the landscape or commercial photographer, the Sony A7R IV is an excellent mirrorless camera.
As we’ve discovered here in this review, the Fujifilm XF 80mm f/2.8 features a super fast and accurate focusing system regardless of AF or MF shooting.
If you’re a fan of this classic focal length, appreciate good weather sealing, need smaller apertures for low light, and want cream bokeh, the Nikon 35mm f/1.8 S Lens will hit the sweet spot for you.
The Sony FE 50mm f/1.8 has a unique place in the world of full-frame mirrorless cameras, as no other manufacturer seems to understand its importance.
I highly recommend the Canon EOS M6 Mark II as a versatile and user-friendly system ideal for everyday use and much more.
