If you really love the 24mm focal length, we'd heartily recommend the Sony FE 24mm f/1.4 GM - you certainly won't be disappointed by the image quality that it can deliver.
If you really love the 24mm focal length, we'd heartily recommend the Sony FE 24mm f/1.4 GM - you certainly won't be disappointed by the image quality that it can deliver.
It makes for both a very good back-up camera for more experienced users and a first mirroless camera for smartphone/compact camera upgraders.
The Sigma 70mm f/2.8 DG Macro Art is an affordable macro lens that delivers outstanding image quality in a format that can be effectively used hand-held as well as mounted on a tripod.
The EOS 4000D is Canon's cheapest ever DSLR and is clearly aimed at students on a budget and photography beginners interested in buying their first interchangeable lens camera without having to break the bank.
The Panasonic Leica DG Vario-Elmarit 50-200mm f/2.8-4.0 ASPH Power OIS Lens is an excellent lens which would make a fantastic addition to the kit bag of lots of different kinds of photographers who own Micro Four Thirds cameras.
The Nikon D3400 is our entry-level DSLR camera of choice, or failing that a discounted EOS 1300D if you can still find one, as the new Canon EOS 2000D offers virtually no new features or performance to justify its release.
[I]f the bokeh is to your taste and you don't mind some post-processing of the vignetting/chromatic aberrations, the Voigtlander Nokton Classic 35mm F1.4 is a very compact, extremely well-built "classic 35mm" lens that's an affordable alternative to the other 35mm Sony FE [...]
Sony referred to the A7 III as a "basic model" during their early promotion, whether jokingly or not, but the A7 III is far from being basic.
Image quality is a key strength of the Fujifilm X-A5. Those 24.2MP images look great, with accurate exposure and pleasing colour rendition straight out of camera.
Bottom line; the Fujinon XC 15-45mm f/3.5-5.6 OIS PZ could handle better, but it is compact, it is light, it has a wider angle of view than most kit lenses and creates very sharp images indeed.
The Fujifilm X-H1 represents another step forward in the evolution of the popular X series of mirrorless cameras.
The Sony E 18-135mm f/3.5-5.6 OSS is a big step up from the kit lenses that ship with Sony's APS-C mirrorless cameras, at a price that won't break the bank.
The Panasonic Lumix TZ200 is a featured-packed-powerhouse-pocket-camera. We’d struggle to list all the great things about the TZ200 here.
We’ll start by saying that we have really, really enjoyed testing the Panasonic Lumix GX9.
The A7R III is the most well-balanced Sony camera to date, offering a compelling mix of resolution, speed and size that also makes it one of the best cameras that we've ever reviewed, be that mirrorless or DSLR.
[O]ther than the price and maybe the size/weight, there's an awful lot to like about the new Fujifilm XF 80mm f/2.8 R LM OIS WR Macro lens, which thanks to the 1:1 macro is a unique lens in the Fuji system that's capable of some amazing results.
Simply put, for food and product photographers, it’s a dream lens, once you get the hang of it.
Despite only being a "G" designated lens, rather than a more expensive "GM", the new Sony FE 24-105 f/4 G OSS is certainly one sharp optic, both through the focal and aperture range.
The maximum aperture of f/6.3 at 300-400mm is a stop slower than the competition, though, and the lens isn't overly sharp at 400mm, while the optional tripod mount is both costly and a little rudimentary - otherwise, there's a lot to like about this lens.
The £449.99 / $449.99 asking price of the Sigma 16mm F1.4 DC DN C is pretty good for such a fast, well-built lens. Although shooting wide-open at f/1.4 isn't without some issues, we can still heartily recommend the new Sigma 16mm F1.4.
[T]he Leica CL is a fantastic APS-C compact system camera with only a couple of relatively minor niggles (some of which could be fixed with firmware upgrades).
The X-E3’s premium exterior design, agility and functional beauty make it a mirrorless camera that’s a pleasure to own and fun to shoot with at the same time.
Focusing is quick and accurate in the majority of conditions, too. Although this is not one of Nikon’s premium lenses, it’s still more than capable of producing good quality, sharp images.
The new Tamron SP 24-70mm F/2.8 Di VC USD G2 is a versatile walk-around lens with a fast maximum aperture that consistently delivers great images.
