Canon EOS R50 V 8.6/10
The EOS R50 V is an interchangeable lens camera for content creators who want extended shooting controls for livestreaming, vlogging to cinematic projects and social media content.
The EOS R50 V is an interchangeable lens camera for content creators who want extended shooting controls for livestreaming, vlogging to cinematic projects and social media content.
The Panasonic Lumix DC-S1II provides a good balance between stills and video capabilities, giving professional content creators all (or almost all) the tools they need to produce high-quality content for distributing across the media landscape.
The Panasonic Lumix S 24-60mm f/2.8 is a fast, wide-angle to short telephoto lens with dust- and splash-resistant construction and features technologies that will suit both photographers and videographers.
Fujifilm’s latest rangefinder camera, the X-E5 is similar in size to the popular X100VI and has many identical features but offers the versatility of an interchangeable-lens model.
The second-generation update to OM Systems’ latest ‘adventure’ camera improves the handling and capabilities of its current entry-level model for photographers at all levels.
The new PEN camera from OM System brings updated technologies and the series’ first dust- and splash-proof design to a take-anywhere camera for travel and everyday photography. Imatest testing on JPEG files showed the new camera and kit lens to be very good performers.
A compact and lightweight, fast standard prime lens with an affordable price tag that makes a decent walk-around lens for full-frame Canon RF-mount cameras.
The Lumix S 100-500mm f/5.0-7.1 lens will suit keen ports and wildlife shooters (particularly birders) who already own one of Panasonic’s S-series full frame cameras and are looking for a relatively compact and lightweight lens they can use on location.
Tamron’s 35-100mm f/2.8 Di III VXD is a versatile everyday zoom lens that covers the most popular portrait focal lengths and is ideal for travellers with Nikon or Sony full-frame mirrorless cameras.
Compact, lightweight, elegantly designed and very capable for both stills and video capture, the DC-L10 will appeal to serious photographers and sophisticated content creators who want a capable all-rounder they can carry and use every day.
Like the original EOS R5, the second-generation model is targeted at very high-end enthusiasts and professional photographers and videographers who require a versatile camera with extensive all-round capabilities.
It’s certainly a better choice for snapshooters than its predecessor, however without any kind of viewfinder and with its pared-back control interface, it’s unsuitable for serious photographers.
Apart from the LCD and array of buttons on the rear panel and the lack of a film-advance lever, you would never recognise the M8 as a digital camera.
Photographers looking for a take-everywhere camera should give the GM5 kit serious consideration, particularly if they already own a Panasonic M4/3 system.
[T]he 5D II’s sensor with the appropriate lens will provide much better depth-of-field control than even most professional camcorders. For most serious photographers [...] the real strengths of the 5D II will be its versatility and ability to record high-quality still images [...]
