If you're stepping into a 70-200mm for the first time and you're on one of Nikon's newer cameras, then yes, absolutely go for the S2. It'll serve you for the next 12 years into the lineup, no problem, and probably a lot longer than that.
If you're stepping into a 70-200mm for the first time and you're on one of Nikon's newer cameras, then yes, absolutely go for the S2. It'll serve you for the next 12 years into the lineup, no problem, and probably a lot longer than that.
An excellent allrounder lens and great at picking a subject matter out of the background and giving you that excellent pickup shot. Really a great lens.
[T]here is a place for it in the Leica M series of cameras, especially for those who want to be more precise with their compositions or perhaps people new to the Leica M system coming from something like the SL or Q series or any other mirrorless camera for that matter.
It is a very solid good camera, but I don't think there's enough new here to really make a punchy impact on the market.
It is just a plain, simple, little camera that gives you every single choice in terms of how you want your picture to look, from super nostalgic, which I really like on this, like the little nostalgic filter is magic.
After shooting with this camera this morning and of course you guys watching the video up to this point, it should come as no surprise when I tell you that this is one amazing camera.
For any guys out there shooting a run and gun, needing a light setup, something a little bit more affordable than the G Master 2 but still need professional quality, check out the Sony FE 24-50mm f/2.8 G.
It's a 300mm f/2.8 GM OSS G Master, it's one of the best lenses they've ever made, it's phenomenal.
It is absolutely what you expect from a Canon L-series professional standard lens, but that's not what's interesting about this lens, not at all.
Yeah it's expensive, it's very expensive, but it's good.
The Leica SL2, the high megapixel, extreme quality, just optical brilliance, that is where this type of thing shines. And for me today, oh, I wouldn't have any other camera with me shooting in a location like this.
This is the camera that you want with you, and that's how I use this camera, and for that, it is just about perfect.
I think this is a solid little entry for Nikon.
[...] Canon is doing a really good job on the Canon EOS R10, and I think it definitely hits the nail on the head.
[I]f you are in a position to get one of these lenses and the type of photography that you are into is geared towards the results that only these lenses can deliver, go out and get one because you will not be disappointed.
What you are going to find is a very capable stills camera, but a very capable stills camera maybe from a couple of years ago, because what Leica is doing here feels like they're painting themselves into a bit of a corner.
This is not the best camera that you're ever going to have, it really, really isn't. There's better cameras out there, there's better cameras in Fuji's own lineup, but this really fills a gap, a very, very sweet spot.
This is pretty much the perfect video centric camera with still a little bit of photographic use put in there and I kind of like it.
Yeah, so if you're a person that is not completely ready for mirrorless and you prefer the bigger bodies and the proper feel of a DSLR, this is definitely going to hit you in the right spot.
This this has got everything.
It feels wonderful in the hand.
It's a really solid lens, and it's the first time that Fuji's made anything like this, and they came out swinging, really. Like this, there is zero complaints from our side about this lens.
In essence, we use it's an amazing camera.
So now that we've had Fuji's brand new Fujifilm X-T20 out for the entire day here shooting and I've had it for about a week prior to the shoot, I can say that I'm well impressed with this little camera at the price point where it sits.
