[...] I'm going to stick with the cameras I've got and then maybe try and find a different solution for scanning.
[...] I'm going to stick with the cameras I've got and then maybe try and find a different solution for scanning.
I think it's great for certain applications.
I've always been happy with the Voigtlander Color-Skopar, but I think now I'm going to be carrying the Thypoch instead of the Color-Skopar.
Beautiful camera, but perhaps not one for me.
If you're a portrait or model photographer or say weddings or anything where you need a bit of arty swirly bokeh, a fast lens for say low light photography, this lens is fantastic.
[I]f you want vintage rendering, get the Light Lens Lab 28/2.8 “9 Element”.
I was instantly blown away as soon as I saw the results in Lightroom.
[T]he Leica Q3 43 takes amazing pictures.
I did like the fact that the Monochrom felt almost analog, but not quite. But at the same time, if you're only looking at the final images, once it came down to it, I'm like, it was fun to use the camera, but I'm just as happy with my M10 files.
I think the new Sigma 16-28mm f/2.8 DG DN Contemporary is going to be the go-to ultrawide lens for Leica L-mount shooters who are also wedding photographers.
So the M-E (Typ 240) definitely still has its place, but for my portraiture I'm now 100% going for the SL and not the M-E (Typ 240).
