It is a high quality professional/high end amateur hybrid camera that endeavours to cover all bases to a very high standard and succeeds in virtually every respect.
It is a high quality professional/high end amateur hybrid camera that endeavours to cover all bases to a very high standard and succeeds in virtually every respect.
If we want incredible sharpness and detail, then this is a lens that can provide it. The actual figures are the highest I have measured so far, pressing on the limits of the testing system.
The price is right, the camera beautifully made and the only drawbacks are the lack of weather sealing and the fiddly operation with too many buttons that can be accidentally moved.
Hasselblad XCD 20-35mm f/3.2-4.5 Verdict I like the lens, I like it very much, and in the real world, away from test charts and the computer programs that analyse the results, it produces very pleasing images that have that unmistakeable medium format look.
For top performance and hard professional use, the new lens could be the one of choice.
This 28-105mm is a slick performer, handling very smoothly with the Sony body and, no doubt, with the L mount bodies as well.
[I]t’s a great travel camera that can be a constant companion, tucked into a jacket pocket, and ready to shoot a huge range of subjects.
With faster AF, a new partially stacked sensor, premium weather sealing and superb lenses, the Z6 III is a strong contender for being called the best in its class.
All in all a very exciting lens that is a dream to use [...]
We have here a relatively compact and light zoom that handles superbly, and most importantly delivers excellent, consistent quality across the focal length range.
The quality of this 28-200mm lens is extraordinarily high; it focuses as close as a 1:2 macro lens, albeit at 28mm for maximum magnification, all with excellent sharpness.
Fujifilm have given us here a superb standard lens that will hold its head high amongst the very best.
Compact, high quality, low cost and a great balance of optical qualities, so what's not to like? Yes, there are some issues regarding edge sharpness at small apertures and some edge CA, but at the price offered, we have a cracking good lens that can be Highly Recommended.
Smaller, lighter, better in many ways especially sharpness, the FE 16-35mm f/2.8 GM II lens is Sony at the top of their game. The resolution is still well up to the most recent, higher pixel counts from camera bodies such as the 60MP A7C R used in this review.
The new Sigma lens offers the right performance at the right price and is Highly Recommended.
This is a super lens to use, the price is reasonable and the handling second to none.
The Sigma AF 14mm f/1.4 DG DN Art lens is a fine example of the Lens Makers' Art and a clear Editor's Choice.
[I]t offers fair value and does the required job admirably.
The Z 8 is a seamless meld of excellent ergonomic design and superlative performance, just as its versatility is a seamless meld of the stills camera and the video camera.
Interesting, but I wonder how many people will actually read that and how that information will be conveyed to a subsequent purchaser when the lens is second-hand sometime in the future?
In terms of general handling, Sony has reached a point where it all works well and we have a very refined and efficient photographic tool.
The lens offers great quality at a very reasonable cost and gets us affordably into long-range telephoto photography.
Be it for high-quality stills, high-quality video shooting or streaming and connectivity it's all there.
The Z series of lenses continues to offer extraordinary optics and in this case at least, with a reasonable price tag to go with it.
