For anyone wanting a GH5 that can record higher quality video, including CINE 4K at 60fps, as well as record in low-light conditions, then the GH5S is the ideal solution, and compared to other cameras, particularly good value for money.
For anyone wanting a GH5 that can record higher quality video, including CINE 4K at 60fps, as well as record in low-light conditions, then the GH5S is the ideal solution, and compared to other cameras, particularly good value for money.
There is no doubt that the Fujinon 80mm f/2.8 Macro is a superb lens, but then so it should be as it is priced considerably above the rest of the market.
The lens is very easy and satisfying to use and the price is certainly attractive.
The Sigma AF 16mm f/1.4 DC DN Contemporary lens gives excellent performance, a reasonable price and a very bright f/1.4 maximum aperture, which all add up to a very desirable package, that will be apealling for both Micro Four Thirds and Sony E-Mount photographers.
An uncommon but useful focal length, excellent performance and very close focusing all make the new lens an interesting option.
A very evenly balanced, excellent standard zoom lens. The new Tamron lens performs very well indeed and has a very well balanced set of properties.
KamLan has a simple, ambitiously specified lens for a very low price. It is well made, performs well and, within the limitations of manual focus and lagging edge quality, it is still a lens that delivers something very useful.
For those that want more controls, the E-M5 Mark II is a great choice, but for those that want a relatively easy to use camera, with good image quality and 4K video recording the E-M10 Mark III would make a good choice.
The Sony FE 12-24mm f/4 G is expensive, but also excellent, which is always a dilemma.
For the Bridge camera user moving up to the larger format of a lightweight DSLR, or indeed for anyone wanting to travel light without constantly changing lenses, the appeal of an 18-400mm lens is plain enough.
Performance is sound, giving excellent sharpness and lovely bokeh at an excellent price.
Canon has produced a lens that provides a high level of performance in a fairly compact and relatively inexpensive form.
The Fujifilm Fujinon XF 23mm f/2 R WR gives a sparkling optical performance, compact size, weather resistance and high-quality manufacture, which all inspire confidence in this Fujifilm lens.
There is no doubt this is an amazing, high-quality optic and that the use of an apodization element adds something very special.
The Sony FE 85mm f/1.8 lens is superb to use, and also superb in many ways in terms of its performance.
The Tamron SP 70-200mm f/2.8 Di VC USD G2 lens is on the same level playing field as lenses costing up to twice as much, punching far above its weight.
The Canon EF 24-105mm f/4 IS II USM is a pleasure to use, is reliable and is capable of some very fine results.
The Sony G Master FE 70-200mm f/2.8 OSS is without doubt a very fine lens. It operates smoothly, is well made, uses the latest technology to achieve outstanding sharpness evenly across the frame.
This is a great lens, a high level performer that does the job efficiently. The only slight drawback is the possibility of some flare, but fortunately this does not seem to be a major problem for most photography.
The Sigma 85mm f/1.4 DG HSM Art lens is a high class, highly competent design that performs confidently and efficiently.
There is no doubting the fine qualities of the Nikon AF-S Nikkor 105mm f/1.4E ED lens.
Perhaps now we should describe the Sigma 30mm f/1.4 lens as a wolf in sheep's clothing, as its unassuming exterior houses a superb compact lens that really delivers the goods.
A unique lens, well made, with extraordinary performance. There are those who will struggle with the manual focus, but there are solutions to this with various techniques.
Portraits, landscapes, close range sports, architecture, in fact almost anything can be added to the repertoire for this lens, on top of its excellent performance as a macro lens.
