What do you get when a city council member’s office, two art nonprofits and an outdoor media company come together and agree on something? What you get is this terrific Los Angeles Public Art Project.
My last post featured stylized photographs of elderly people looking into mirrors and seeing their younger selves reflected back. While I was writing that story and contemplating the broader theme of reflection, serendipity occurred when I stumbled upon this Kickstarter project by Connecticut-based photographer Christopher Capozziello.
When my grandmother was suddenly stricken by a massive stroke, my family had to make the heartbreaking decision to let her go. The doctor told us that even if she were to survive it, she wouldn’t be the person we knew. I remember thinking at that moment, 'if you could only know what kind of woman she is!' We all knew that it wouldn’t be fair to her to bring her back in a way that wouldn’t allow her to live her life her way.
While photographer Richard Renadli was in the midst of his 2003 project, See America By Bus, where he was photographing groupings of strangers waiting in Greyhound bus stations, he began to think about exploring the idea of expanding on his group portraitures of strangers concept. “To create spontaneous and fleeting relationships between complete strangers,” as he as stated.
Recently, I was looking through a photo gallery of a potential new hire and was a bit dismayed by her use of a particular photo enhancement editing choice. All of her photos were very overly processed with multiple styles, much like the photo below. She did have a wonderful eye, and her composition and posing were really lovely. But her processing choices really distracted from the beauty of her work. The people in her photos didn’t look real.
I'm photographing a wedding in a couple of weeks. During one of our meetings, I asked the bride whether she and her fiancé had made a decision regarding their guests being allowed to photograph during the ceremony and reception. She started shaking her head, saying that it hadn't even occurred to her.
When I saw the work of photographer "Fiddle Oak" last month, I was so blown away by the level of maturity, boldness, and confidence exuded from his images. He’s 14, people! And according to the story, he’s been creating shooting and manipulating the work since he was 8.
