The Canon R5 II’s New Stacked Sensor Comes with a Dynamic Range Penalty

Image of a Canon EOS R5 Mark II camera body. The camera is black with the Canon logo at the top and the EOS R5 Mark II model name to the right. The lens mount is visible in the center. The camera has various buttons and dials for settings and controls. The background is white.

Review samples of Canon EOS R5 Mark II have begun arriving. DPReview has published its studio scene test results for Canon’s new 45-megapixel full-frame camera, showing that the R5 II’s newfound speed comes at a cost, albeit one most photographers may be willing to pay.

DPReview‘s studio test results show that in terms of resolution, the R5 II is on pace with its predecessor, which makes perfect sense. Both cameras have 45-megapixel full-frame image sensors.

However, the sensors are very different. The original R5 sports a standard CMOS image sensor, which isn’t stacked or even backside-illuminated. It’s still an excellent sensor regarding image quality, including dynamic range performance. Its biggest drawback is poor readout speed, which hampers many aspects of the camera’s overall performance, including continuous shooting, autofocus performance, rolling shutter, and video recording.

The R5 II, on the other hand, has a new stacked 45-megapixel sensor, which promises significantly faster readout speed and improved overall performance across the board.

However, the extra speed and processing performance require more electronics, which, all else equal, reduces the amount of space available for photodiodes to absorb light.

Image of a circuit board with two main highlighted components labeled "Canon DiG!C X" and "DiG!C Accelerator". Above them, a large digital sensor is shown emitting colorful beams of light towards the circuit, illustrating data processing and connectivity within the system.
The R5 II’s stacked sensor works alongside a DIGIC X processor and new dedicated co-processing unit. | Credit: Canon

There’s no free lunch with image sensors, and every individual decision is not only in service of one priority or another, but it impacts all other choices.

A comparison image of four photographs taken with the Canon EOS R5 Mark II and Canon EOS R5. Images show varying levels of clarity and color. All are taken with ISO100, different shutter speeds (1/80 and 1/320), and +6 EV, demonstrating image quality under different settings.
When pushing RAW files shot at base ISO (plus-four and plus-six EV, in this case), the R5 II’s shadows are noisier than the R5’s, all else equal. | Credit: DPReview

“In what’s becoming a familiar story, there appears to be a trade-off between speed and dynamic range on the EOS R5 II’s sensor,” DPReview writes, adding that photographers who push and pull the R5 II’s RAW files will encounter more noise than they would have with the original R5.

Further, the R5 II’s impressive continuous shooting speeds require using the camera’s electronic shutter. DPReview‘s testing shows that this shutter mode comes with “an appreciable noise cost.”

Not only does the R5 Mark II’s new stacked sensor design come with a hit to dynamic range, but the benefits of the move — more speed — necessitate an additional penalty thanks to the performance with the electronic shutter.

A comparison image of four camera outputs using ISO100 at 1/320 shutter speed and +6EV exposure: Canon EOS R5 Mark II in EFC and E-Shutter modes (top row), Nikon Z8 (bottom left), and Canon EOS R7 in E-Shutter mode (bottom right). Each image shows varying noise levels.
Using the electronic shutter on the R5 Mark II further hurts image quality. Unfortunately, the primary benefits of the R5 II’s new sensor — faster shooting speeds — require the use of the electronic shutter. | Image credit: DPReview

While Nikon’s new Z6 III has a dynamic range deficit compared to its predecessor thanks to the novel partially-stacked image sensor, the camera at least has no additional penalty when using its electronic shutter and shooting at maximum speed.

In any event, even though there seem to be some compromises with the move to a stacked sensor, the Canon EOS R5 II promises many compelling features and is arguably Canon’s most exciting new camera in a while. PetaPixel‘s full Canon EOS R5 Mark II Review will be published in the coming weeks.


Image credit: Studio test scene images courtesy of DPReview

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