Canon EOS C80 Is a Full-Frame 6K Cinema Camera Built for Pro Video
Canon unveiled the EOS C80, an RF-mount full-frame cinema camera building upon much of the technology introduced in the EOS C400 when it debuted in June.
Canon unveiled the EOS C80, an RF-mount full-frame cinema camera building upon much of the technology introduced in the EOS C400 when it debuted in June.
Supply chain shortages are a pretty common refrain out of Japan these days, with most manufacturers having to issue some kind of statement about reduced availability. But a lesser-reported side effect of these shortages is accessories, and sometimes the wait for new stock can be extreme.
The Canon EOS R5 II has begun arriving to initial customers across numerous global markets, including in the United States. Demand has been high enough in Japan that shipments may be delayed by more than six months, but the situation is not necessarily so dire elsewhere.
The Canon EOS R5 II can use older Canon batteries, but there are significant limitations for video shooters beyond what Canon outlines in the R5 II user manual.
Canon has announced a new A2, 17-inch class printer, the imagePROGRAF PRO-1100. Through its 12 Lucia Pro II pigment inks, the professional-grade printer promises gallery-quality prints at home or in a studio.
When Canon released its latest flagship camera, the EOS R1, it was fair to say that it was overshadowed by the humble R5 Mark II. Like a thief in the night, the mantle for the most exciting Canon camera of 2024 was stolen by the R5 Mark II, and for very good reason. I got my hands on a full-production model and decided that a road trip was in order.
Based on PetaPixel's hands-on with the Canon EOS R5 II and DPReview's studio test shots, it has already been made clear that the R5 II's new stacked sensor comes with a dynamic range penalty. The complete picture has become clear with new Photons to Photos testing.
Some reports have started to arrive that the new Canon EOS R5 Mark II doesn't work with third-party batteries. However, Canon says the camera does not require photographers to use official, first-party Canon batteries, even though some features require the new LP-E6P battery.
The Nikon Z6 III launched last month to significant popularity, taking the top spot on Japanese photography retailer Map Camera's sales rankings for July.
Canon's EOS R1 has received criticism for its spec-for-spec comparison to the flagship cameras from both Sony and Nikon, but in an interview with Phototrend, the company says that its goal with the R1 was to make the best and most balanced flagship it could.
Gordon Laing of CameraLabs is back with another installment of his Retro Review series, rewinding the clock a couple of decades with a look at the Canon EOS 10D.
Canon U.S.A. has been involved with the beautiful, iconic Yellowstone National Park since the 1990s, providing vital financial support to Yellowstone Forever and Eyes on Yellowstone. Canon's support of programs helps scientific research and conservation.
Earlier this week, photo rumor sites ran with a story that alleged Canon would face tax penalties due to a recent round of layoffs. That is unlikely to happen.
Review samples of Canon EOS R5 Mark II have begun arriving. DPReview has published its studio scene test results for Canon's new 45-megapixel full-frame camera, showing that the R5 II's newfound speed comes at a cost, albeit one most photographers may be willing to pay.
Some very interesting Canon lens patents have been published in Japan, arriving just a few weeks after a Canon executive said the company is developing new RF lenses "no one can imagine yet."
One of the things that I love to do at every Olympics, is to go behind the scenes of the Canon Professional Services (CPS) area to see all the goodies they have brought to support the photographers here at the Olympics. And once again, they brought a lot of stuff, including some new toys for us to play with.
The 2024 Summer Olympics kicked off in Paris earlier this week, with the official opening commencing today, July 26. The "Games of the XXXIII Olympiad," as the event is officially known, puts athletes through grueling competition, but the photographers on hand to photograph everything don't have it much easier. It is a sports photography gauntlet.
Canon published its Q2 financial results for 2024 today and while the company's global numbers look stronger than earlier this year, Canon's domestic camera sales remain a major weak point.
In an opinion piece I authored last weekend, I wrote: "Attracting and supporting professional shooters should be the priority." A commenter asked what I meant, since pros are not nearly as numerous as average photographers, so why do they matter more?
During the R1 launch event in Arizona, Canon representatives told PetaPixel that the R3 line isn't going anywhere. But side-by-side with the new R1, there doesn't seem to be any reason for it anymore.
So far this year, Sony is leading the sales race in Japan for interchangeable lens mirrorless cameras, while Canon is dominating the charts for DSLR cameras.
On Tuesday morning, a day before the R1 was announced, I was finalizing our coverage and looking over the materials Canon prepared. "The Canon EOS R1 is Ahead of the Game," a header in the press release promised. I scratched my head in confusion.
As many know, Canon announced two new cameras this week, the Canon EOS R1 and the R5 Mark II. Canon Vice President Tsuyoshi Tokura spoke to Nikkei about what a camera like the R1 means for Canon and opened up about competition within the industry.
In this industry, perception matters -- a lot. Side by side, spec for spec, the Canon R1 is obviously improved versus the R3 but not to the degree that feels like an entirely different camera line.
It's easy to think that the Canon EOS R1 is the main attraction of Canon's announcements this week. The company made a development announcement for it and it's been heavily teased. However, while relegated a bit to the shadows, the Canon EOS R5 Mark II is the more interesting and exciting of the two new Canon cameras.
In some of PetaPixel's images of the Canon EOS R1, you may have noticed that the logo wasn't visible. In some cases, that was due to electrical tape blocking it, which is common practice for pre-release hardware that may be seen in public. In other cases, it's because the "R1" logo actually fell off.
What makes a great wildlife camera? Excellent image quality, lots of megapixels, strong autofocus performance, fast shooting speeds, robust build quality, and access to great telephoto lenses. The new Canon EOS R5 Mark II checks all these boxes, and then some.
My history with the Canon mirrorless series started in late 2018 with the launch of the EOS R. Since then, I have switched from the EF to the RF mount, and for the past four years, I have worked intensively with two EOS R5 cameras. They have been loyal companions during my projects, and I have completed hundreds of photo and video shoots with them. When I became aware that Canon was launching a successor, I couldn't wait to get my hands on a sample.
Today, Canon announced the EOS R1 and EOS R5 Mark II -- two highly anticipated cameras that say a lot about where the company stands on technology and, more importantly, how what it can provide photographers compares to its peers.
The Canon EOS R5 Mark II is coming soon, and PetaPixel has tried it. It represents a significant upgrade over its predecessor, 2020's R5. However, a lot has changed in the industry since then, and the competition is stiff. So, how does the new R5 II compare to its peers?