This article is about how you don’t always need fancy lights for photo shoots: I recently shot the outdoor nighttime fantasy photo above, titled “The SpellBinder” and featuring Kara Markley, using only the light from candles and iPhone flashlights.
These are the times I look forward to most, the times that charge my creative batteries like nothing else.
Over the span of just 4 gorgeous September days (only three days of actual shooting), I shot about 16 different concepts — all of which I’m so over the moon excited about. But one of those shoots definitely rose to the top of my brain-excitement-meter. One of the photographers in attendance, Jess Rohl, had recently done a shoot where she used a ton of candles. So like any good little Flickr gathering attendee would, she brought them along to see if anyone wanted to shoot with them, and someone did. It was me.
Because of the large number of fantastical humans at the gathering, I ended up having to rent two vacation homes in order to fit everyone. One of the houses was a lakefront property, and the other house had its own waterfall! Well … it was supposed to, at least. It didn’t have a waterfall per-say, but it did have a very dry creek-bed that I’m sure is a lovely waterfall when it actually has water to, you know, fall.
I was thinking it would be cool to frame up a shot with someone sitting in the center of the top of one of the “falls.” So we scooped up Jess’s big-bag-o-candles and set off to make some art in the dark!
My cousin James is engaged to Kara Markley, who happens to be an absolutely incredible model/all around wonderful person. Kara had this really interesting, very intricately-detailed outfit from Reminisce Shoppe (whom she and James shoot/model for all the time), and the Shoppe didn’t have a concept piece created for it yet. So I decided to take on the challenge and plop her into my magical-candlelit-nighttime-wonderland.
I’m the first person to say that I totally love studio lighting. I crave a few hours spent in a dark studio tinkering around with big-expensive-flash-photography-toys as much as the next guy. Probably more than half of my portfolio was shot in the studio with multiple huge flash banks and other fancy lighting tools and modifiers. I wonder if (slash secretly hope) some photographers out there see this image and think something like, “This is so cool, but I can’t afford all of that snazzy flash lighting stuff.”
Or that some photographer who’s stuck in their old ways, thinking you can only get good images with expensive lights, will see the image and say, “See look what a stunning image you can create with some good lighting equipment.” Well, this image is a testament that with a little creativity, a good group of friends, a bag of candles, and some cell phone flashlights, you can accomplish something truly magical!
As much as this photo is my own creation, it was majorly a team effort. I had one helper scrambling around placing candles for me. Meanwhile I had another helper lying on the ground behind Kara setting off smoke bombs and then shining a cell phone light towards the camera to backlight the smoke.
I also had a group of other helpers all holding their phone flashlights in different places. It was kind of a cluster of people, phones, candles, and darkness, in the best sort of way. Apparently by the end it seemed that everyone had someone else’s phone, because I kept asking for light to be shined in different places and they would pass the phone to the next person through the bushes.
I shot this image on a Canon 5D Mark III with a 35mm lens. As far as camera settings go, I tried a few different things to get the shot I wanted before I landed on these: Exposure: 1 second, ISO: 500, Aperture: f/4.0.
Here’s an overhead view of my “lighting set up.” This should hopefully give you a feel for where I had my human tripods/lights.
Once everything was set and I was finished asking different people to shine their lights on different parts of the background, I had a helper light the next smoke bomb and then asked Kara to freeze as best as she could. Which turns out was really super well. Almost every single shot was in focus and had basically no motion blur!
I did wind up combining three different captures to get the final look I wanted: one main image, one for the face/head tilt I liked, and one for the hand holding the light, mostly because of the awesome light beams creeping out from behind her through the smoke in that image.
I don’t think I have ever captured this much of my final image in camera before. I’m so used to shooting composites in the studio where I only shoot a person on a blank background. Even when I do photograph on location, I know what I’m capturing in camera is nothing compared to what it will look like once I add a ton of crazy stuff in Photoshop.
But this shoot, this picture taken using only some cheap candles and the phones we carry around in our pockets all day, came right out of camera looking pretty dang printable! Obviously because I’m a Photoshop addict I had to jazz it up a bit with some particles, color editing, extra smoke, digital painting and whatnot, but I am so very proud of the image that my friends helped me bring to life.
So next time you’re thinking you can’t afford the equipment to make really impressive images, just remember there is probably a light chillin’ in your pocket right now just waiting to shine a little light on something magical!
P.S. All textures used during post-processing were from RAWexchange.
About the author: Robert Cornelius is a photographer and an award-winning Photoshop guru based in Lebanon, Pennsylvania. You can find more of his work on his website and read more of his writing on his blog. This article was also published here.