The Latest
A pink vintage camera sits on a yellow surface with a pink background. Behind it, a mirror reflects the camera, but the reflection appears as a yellow camera instead of pink.

Lomo’s Sprocket Rocket Pano Film Camera Comes In an Ugly New Color

Lomography's latest release, a pair of new colorways for its popular Sprocket Rocket 35mm panoramic film camera, is a real Dr. Jekyll and Mr. Hyde situation. One of the new colorways is beautiful and understated, while the other is super ugly. The fun part is that some readers may not know which of the two colorways is the ugly one.

A rocket launches vertically from a launch pad, emitting bright flames and smoke, with metal support structures framing the view and a vast desert landscape in the background under a clear blue sky.

Filmmakers Captured a Rocket Launch With a Blackmagic Immersive Camera

Chengdu Qiongjie Yingchuang Culture and Entertainment is a Chinese immersive imaging company. It recently captured a rocket launch on the Gobi Desert using Blackmagic Design's extremely impressive Ursa Cine Immersive camera, capable of capturing greater than 8K resolution video across two lenses, one for each eye in an Apple Vision Pro headset.

Apple’s RAW Processing is Finally Evolving After a Decade and It’s a Big Deal

Close-up of colorful crayons arranged in rows, split vertically; the left side appears grainy and blurry, while the right side is clearer and sharper, showing the crayon details more distinctly.

Although Apple's WWDC Keynote gets by far the most attention, the event is a treasure trove of new info for developers across the entire Apple ecosystem. Buried among literally over 100 new videos Apple posted to its Apple Developer YouTube channel this week is one about a significant upgrade to the company's Core Image RAW processing APIs that power RAW and ProRAW capture on iPhone and RAW image processing across all of Apple's platforms.

Two digital cameras are displayed on a white background: a larger black Phase One medium format camera on the left and a more compact black Sony Alpha mirrorless camera on the right, both with attached lenses.

Sony Is (Probably) Never Making a Medium Format Camera

There has been chatter about Sony making its own medium format camera system for about as long as Sony has made image sensors for other brands' medium format cameras. Sony's recent reveal of the 65mm-format Rialto 65 image sensor block for Venice 2 cinema cameras has only strengthened these rumors. However, the speculation is pipe dreaming, at best.

A split image shows a humpback whale breaching in the ocean on the left, and a jellyfish drifting near the surface of clear blue water by rocky cliffs on the right.

‘Ocean’ Doc Captures the Horrors of Seabed Trawling for the First Time

Sir David Attenborough turned 100 last month, and much of his incredible life's mission has been celebrating and showcasing the natural world. Billions of people on Earth have heard Attenborough's voice, heard his words, and seen his work. Arguably, nothing on Earth impacts life as much as the oceans, and that's the focus of "Ocean with David Attenborough," streaming now online and on National Geographic, Disney+, and Hulu.

A glowing, cloud-like planetary nebula with a bright center surrounded by soft blue and white halos, set against a star-filled black background.

Gaze Into a Cosmic Crystal Ball Unlike Anything Else In the Universe

NOIRLab and the National Science Foundation's Gemini North telescope, located on Maunakea in Hawai'i, captured a mesmerizing photo of NGC 1514, nicknamed the Crystal Ball Nebula. It looks a lot different than the photo the James Webb Space Telescope captured last year, and frankly, unlike nearly any other space photo.

A Close Look at the Extremely Rare, Foveon-Powered Polaroid X530

A close-up of a Polaroid x530 digital camera with various colorful stickers on the front, placed on a wooden surface with its lens cap off and lying nearby.

As promised, photographer James Warner, known for his YouTube channel snappiness, created a full-length video about his ultra-rare Polaroid X530 compact camera. The weird 2004 digital camera has a Foveon X3 image sensor, marking the first and only time a Foveon sensor was utilized by a non-Sigma digital camera.

A collage with four photos: a yellow house on a hill, a person in white near snowy mountains, two orange calla lilies with water droplets, and a whale breaching from the ocean.

Apple’s All-New Image Playground Promises More Than Cartoons

Today at WWDC 2026, Apple unveiled a wide range of new software for its product ecosystem, including macOS 27 Golden Gate, iOS 27, and iPadOS 27. A significant part of all the new software updates is an upgraded Apple Intelligence system, which includes a revamped Image Playground, Apple's generative AI for images.

A laptop on a desk displays a photo management app. A menu on the right lists batch editing options: Auto Enhance, Apply Filter, Auto Crop, Rotate, Add Description, and Revert to Original.

New Chrome Extension Brings Batch Editing to Google Photos

Google Photos has become one of the most popular photo platforms in the world, serving more than 1.5 billion monthly users and providing everything from cloud backups to AI-powered editing tools. Yet despite its extensive feature set, one capability has remained notably absent for years: batch editing.

Two black camera lenses are displayed on a light blue surface, one standing upright and the other lying on its side. Both lenses have visible text and controls on their bodies.

Viltrox Announces Evo 75mm f/1.8 and 90mm f/2.2 Portrait Primes

Viltrox has introduced two new additions to its Evo series lineup, the AF 75mm f/1.8 Evo and AF 90mm f/2.2 Evo, designed specifically for APS-C mirrorless systems. Built for Sony E, Nikon Z, and Fujifilm X mounts, both lenses focus on delivering professional portrait performance in a compact and lightweight form factor.

A person waves a large Iraqi flag with red, white, and black horizontal stripes and green Arabic script at a sports stadium with a cheering crowd in the background.

Iraq’s Team Photographer Denied Entry Into the US Ahead of the World Cup

The official photographer for the Iraq national football team, Talal Salah, was detained for 10 hours when trying to enter the United States with the rest of the Iraqi team and staff. Salah was eventually denied entry to the U.S. ahead of the 2026 World Cup, meaning the team will be without its official photographer for its first World Cup appearance in 40 years.

Iceland’s Targeted Drone Ban Is Nature Conservation Theater

Aerial views of volcanic landscapes with green moss, dark mountains, winding rivers, and a circular rainbow-like halo in the left image, under a dramatic cloudy sky.

For several summers, I have taught drone photography in Iceland’s highlands under permits issued by the country’s nature conservation agency. I applied on time, followed every condition, and never received a complaint from a ranger, another visitor, or the agency itself.

Light Lens Lab 35mm f/1.4 ASPH ‘11873’ Review: All the Joy for Way Less Money

A camera lens with yellow and white distance and aperture markings sits upright on an orange background. The "PetaPixel Reviews" logo appears in the lower left corner.

Amongst the plethora of different versions of the Leica M 35mm f/1.4 Summilux lenses, the “11873” model has garnered special attention. This double-aspherical design is famous for its lens character and classic glow at wider apertures. Of course, lens aficionados have driven the price of this original lens to astronomical values, which is where Light Lens Lab has stepped in.

Snowy mountain peaks frame a dramatic triangular shadow cast over a valley at sunrise, with pink and purple tones illuminating the distant landscape and sky.

How It Was Shot: The Triangle Shadow of Mount Hood

Towering 11,249 feet above sea level, Mount Hood is the tallest mountain in the state of Oregon. The mountain is so large that on a clear day, it can be visible from over 100 miles away.

Twenty Years, One City: What Tokyo Taught Me About Patience and Glass

Black and white photo split in two: left side shows a man in a sunlit street holding a can, looking at the camera; right side shows an older man indoors hanging up a backpack, viewed in profile.

Most photographers I know are in constant motion. New cities, new continents, new visual problems to solve. There's truth in it. Unfamiliarity forces you to look. Familiarity gives you permission to stop. But there's another, less-discussed school of practice that works in the opposite direction: stay. Return. Go back to the same streets until the strangeness burns away and something else appears in its place.