PetaPixel

The Value of Reaching Out and Forming Photographer Communities

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Being a photographer can sometimes be a lonely prospect. Even photographers that often work with people as subjects or on crowded streets will have to put in countless hours alone, editing their work. This fact only makes it even more important for photographers to actively reach out and form communities, if not for the sake of their work then at least for the sake of their social lives and sanity.

A few years after moving to Atlanta I was invited to attend a local photographer meet-up. It would later turn into a monthly meet-up, at least for a little while, and it was easily responsible for one of my biggest periods of growth as a photographer.

This wasn’t necessarily because the meet-up was particularly informative or instructive, but because the environment was refreshing and it was nice to engage with other photographers from different backgrounds in a casual, non-competitive arena. It was akin to being back in a really good class at college, but now you actually have some semblance of what the heck you’re doing.

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I met numerous people and got to learn about and understand their various fields of photography and how they came to them. A lot of these are people I would now call good friends, and several of them have helped me get a number of well-paying jobs since then.

The group also provided several opportunities that can be difficult to find outside of the classroom. We would have monthly critiques of each other’s work, we’d discuss new software or our old favorite go-to’s, and we even had a couple of guest speakers.

Now these are all things that can of course be emulated through news sites and online groups but there’s something missing in that experience. This provided a much more trusted first-hand account. There was a face to associate with that lens recommendation, somebody was actually standing in front of you explaining the new technique you’d read about several times but never actually tried. It all just felt much more tangible and, as a result, more satisfying.

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This satisfaction wasn’t just on an informational level either. There was an energy given off by the group at every single outing. It’s easy to get worn out during those long hours editing your photos or even if you’re just in a string of less-than-desirable jobs, but every time I left the group, regardless of my state of mind beforehand, I felt good.

I felt good, not only about my photography, but about myself in general. I felt energized, and usually walked away with some seedling of an idea for a new personal project I wanted to try after talking to somebody else about their work.

As I mentioned above, our group sadly did not last more than a few months, but the personal connections I made, the information I gleaned, and the reinvigorated excitement it provided made it a great experience nonetheless.

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As a result, I strongly suggest you seek out your own local photography community. If one doesn’t exist yet, make one. This group didn’t exist before the few group leaders randomly decided to put it together one day. The same could be said of you and your future photography community.

If you should decide to take on this endeavor yourself, here are a few things I learned from the organizers responsible for our group that will hopefully help you make your group a success.

1. Know What You Want

Know what you want the group to be before you start it. Don’t let the group vote on it. Democracy is a great thing but often, in situations like this, it just means a muddled message of what you’re trying to achieve. Instead of pleasing everybody you usually just end up with chaos.

Decide what you want the group’s purpose to be and establish that beforehand. If you want it to be for critiques, then make sure to tell people to have work ready to present. If you just want it to be a casual dinner group that shares stories, make sure people know that.

That said, also allow the group to grow. One of the reasons I say not to put it up to a vote initially is because the group will gradually find its own natural path based on the members interests.

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2. Keep It Casual

Regardless of the group’s intent (critiques, conversation, or anything else) you need to keep it casual. This isn’t a job, it’s a way to meet new people. The moment it becomes serious work you’ll likely lose interest and so will the other members of the group.

3. Add Legitimacy

One thing our local group seemed to get very right was giving the group some legitimacy. This wasn’t just some rag-tag group of college students trying to figure out how to get their next job, it was a varied group of active professional photographers at different stages in their careers, all there to celebrate a common interest.

As a result, people actually wanted to come because there was always somebody to learn from, somebody with a different perspective or different experience that would have something to share.

4. Be Consistent

Keep your meeting on the same night every month, it’s just easier for people to keep track of and if people miss it they know exactly when it will be next time. Simple.

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5. Keep It Going

Don’t stop. I can’t stress this enough. Keep it going for as long as you can. If you can’t run things anymore, hand it off to someone else but try to keep a local community. You, your work and your city will all benefit from it.


Image credit: Photographer by ingeniarius’, Photographers by wwarby, Photography Classes. by Bruna Ferrara;, Fata Morgana by Honza Groh, Photographers in silhouette at Mono Lake with Tufa Towers at Sunrise 16Oct2011. by mikebaird and Corrigan takes question from the group by jramspott


 
 
  • SpaceMan

    Or I can just keep sitting here in my basement, fantasise about new gear I don’t need and won’t ever own, criticise others for no good reason, troll the forums and just be an allround jackass

  • Eport

    You even threw in a typo (unless you’re british) to complete the meta. Classic.

  • MS

    I think it is a good idea…to a certain extent. However, I do see many “street photography clubs” prowling the streets on LA all looking for the “desisive moment” with their Fuji X or Leica M. It’s quite comical.

  • beem

    Every group I’ve gone on photo walks or workshops with are either full of retirees with brand new shiny gear that has never seen light of day or young hotshots who are far too cool to actually communicate with anyone else in the group.

    I’ve yet to find a photo group that I didnt end up loathing.

  • tertius_decimus

    Meet musicians or painters. Really.

  • Ken Elliott

    This! I hang out with painters and sculptors. Sometimes they ask me about photo gear, but it is mostly about art. And they ask questions about my photographs that no photographer ever asks.

  • tertius_decimus

    I confirm that.

    My best friend is painter and he’s also amateur death metal guitarist. I’m former painter too. His amazing job makes me want to return back. Photography makes me too lazy and to be honest I rarely met photographers which weren’t complete egoistic jerks.