After my dad passed away a couple of years ago, I inherited his Nikon F and FTn cameras which jump started a resurgence for the love of photography in me. Now with a binder full of negatives (and positives) and an SSD of scans, it felt weird just leaving them there. That's not where photos belong.

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Here's the thing with photography: you can take a mundane photo and think, 'Why did I take that?' But years later, that same photo is a fascinating artifact from a bygone era.

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Thirteen years ago, I sat in an amphitheater in Los Angeles as Adobe announced that it would be shifting from Creative Suite to Creative Cloud. I remember being skeptical, but I was also willing to give Adobe the benefit of the doubt. After all, it created a beloved line of tools.

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You might have seen an amusing photo of a Pikachu running away from police in Turkey. It was recently shared to popular Instagram page History Reported, where it has received millions of views and over 200,000 likes.

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The photos captured by the Artemis II team have been beautiful to behold and have brought two brands to the forefront of discussion: Nikon and Apple. Neither brand paid their way into this position, and that's the best endorsement anyone can ask for.

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When I was in college, I had the opportunity to spend a semester abroad in Florence, Italy to study. There, I took a "Chemistry of Art" class that culminated in a visit to the Opificio delle Pietre Dure, where priceless works of art are on display. It is also where many are stored and maintained.

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Sam Altman has always cut a strange figure to me; like a teenager in many ways. Even his Twitter bio, "AI is cool I guess," is a sullen and petulant remark.

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I flew to Atlanta expecting to cover a lens launch and came away with something far more meaningful. The debut of the Zeiss Otus ML 35mm f/1.4 was framed as a first look, but what Zeiss created was not a traditional showcase. Instead, it became an evening centered on artists, storytelling, and a sense of community that rarely takes the spotlight in this industry.

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A well-known Pentax leaker with a strong history of being right has said a new Pentax DSLR is coming this year. That's certainly possible, but based on very recent conversations with company leadership, you should probably temper your expectations.

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In 2017, I picked up a Surface Book II to review. While, as a photographer, I didn't like it, I had to admit that it did tick a lot of boxes for the average user.

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Think back to this time last year when The Brutalist was being pilloried for using AI to improve Adrian Brody's Hungarian accent. Two other Oscar-nominated movies in 2025 had also confessed to using AI to improve speech.

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Mountain lions are rare in the Greater Yellowstone Ecosystem, and there's been a buzz in the National Elk Refuge recently where one has been spotted prowling around.

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SAG-AFTRA, the Motion Picture Association, Disney, Warner Bros., NBCUniversal, these are just some of the powerful companies and organizations fighting back against AI video generators, which can now imitate scenes from movies.

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Photography is an art form of trade-offs. When the shutter speed goes up, the aperture must come down. Higher ISO raises the exposure but hurts the image quality. A brighter maximum aperture means more cost and more weight. Everything is based on a give-and-take relationship, and balancing these factors is key to success.

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AI will come to a mainstream camera; it's only a matter of time. Somewhere, in some boardroom, the case is being made right now to inject some level of AI -- most likely generative -- into the tool of photography, and the first brand to do it will be the last. And they will regret it.

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Pomelli by Google Labs is a free AI-powered marketing tool designed to help small to medium-sized businesses with their marketing campaigns, and it has just released a new feature: 'Photoshoot'.

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Tamron consistently creates zoom lenses that break the norm when it comes to focal length, offering alternatives to the classic patterns that most other manufacturers pursue. Even the more conventional Tamron 28-75mm f/2.8 and 70-180mm f/2.8 refuse to match the more common 24-70mm and 70-200mm formulae. However, the standout lens from Tamron in recent memory is the oddly effective 35-150mm f/2-2.8 lens, which proves to be an ideal event lens for almost any situation. If it could be faulted in any way, it would be due to its rather heavy weight and bulky size.

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Canon has created, in a very short time, a complete line of L-series prime lenses that cater to the hybrid photo and video shooter. It is quite an achievement to build a whole line of professional prime lenses that are all similar in size, weight, and form factor, while still maintaining the quality expected of an L-series optic. The latest addition to the family is the 14mm f/1.4L VMC, a first for Canon in its RF-mount. I took this $2,600 lens for a spin, appreciating its compact nature, but with serious trepidation that Canon may have pushed the envelope a little too far this time.

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Social media was once the backbone of marketing for photography businesses. However, we now have strong reasons to leave it behind and adopt a different approach to photography. Why did my recent behavior change prove this to be true?

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A photographer says he feels vindicated after he had not one but two sets of photos falsely accused of being fake on the same day.

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