Taking the Last Picture of Something
The recent collapsing of the Azure Window in Malta finally motivated me to take my keyboard and tell you the story behind the picture above.
The recent collapsing of the Azure Window in Malta finally motivated me to take my keyboard and tell you the story behind the picture above.
Abstract photography seems to be an elusive subject, hard to nail down to a single definition. This may be due to the abstract nature of the idea of “abstraction” and perpetuating misconceptions about abstract photography.
Quick history lesson. The original Lamborhini motor vehicle wasn't the supercar you know today. They were tractors. Yes, tractors. Full-fledged farm-going vehicular tools.
It’s understandable that the great unwashed masses of the larger population might not appreciate contemporary art. But you’d think that photographers, who are creatives in their own right, would appreciate the art and creativity of others in all of its various forms. What I’ve seen instead is that, when it comes to much contemporary art, most (but not all!) photographers tend to dismiss the work outright.
These days there's a lot of talk about "fake news" on the Internet, and Facebook recently announced the introduction of fact checkers. Is that a good thing? I feel ambivalent about it, and I'll explain why.
One of the often recurring discussions among professional photographers is whether or not we should ever work for free. I’ve been known to rail against those who do and against clients who request free pictures... so why did I recently waive my own rule?
Moving down the aisles that are carved between each row of seats, the line slowly edges on. A choir of no more than three people -- woman and two men -- expel their voices gently and slowly, serenading the churchgoers as they inch forward toward the pulpit where they receive their bread and wine.
A lot can be said in a single photo. As the old cliché says, “a picture is worth 1,000 words.” Certain famous images have had some impact in shaping the public perception of an event, such as Nick Ut’s “Napalm Girl” photo, which ran in many newspapers and changed how people thought about the Vietnam War.
As a professional photo retoucher, I owe Adobe most of my life. Without them, I would honestly not be where I am today, being able to do what I love every single day! Over the years, it has also gone through a multitude of changes, and since my life is tied directly to Photoshop, I pay very close attention to them.
Ultra high ISO with lots of noise... There’s a lot of buzz going around about the new Pentax KP with it’s maximum ISO of 819200. Every comment I read says ‘what’s the point’?
Well, here are two benefits: late night framing and focus.
A career in commercial photography is a progression in learning. One that wanes when complacency creeps in and thrives when pursuit of knowledge lives at its heart. Having a broad mind in both approach and equipment is the key to clearing your mind to be creative.
A man I know as Jay reaches into his car to try to force his engine to kick over, leaning deeply into the door as if the weight of the world is upon him in this moment. Each detail, as frivolous as the last, lends itself to the mystery of the frame.
The New York Times just reported an incredible story of how a 23-year old recent college graduate created a fake news story about fraudulent Clinton votes in Ohio and netted $22,000 on a fake news website from ads.
My name is Duy Ho, and I've been photographing weddings since 2011. I established my style by embracing my personal interests and influences: an architecture and design background, my love of cinematography and film, a respect for classic and renaissance art, and a quirky obsession with the chiaroscuro style of painting.
Hi, everyone. My name is Giannis Papapostolou, and I’m an amateur photographer based in Greece. Photography is a big part of my life. However, about a year ago, I had an accident.
I took the best photo of my life today. I came down from the mountain and loaded it up on my computer. When I brought the photos up on my screen, they were just trees. Bummer. But it felt so good; looked so good on my camera’s LCD. What’s the deal with that?
Burhan Ozbilici’s stunning photo of a gunman moments after assassinating the Russian Ambassador to Turkey Andrei Karlov spread like wildfire over social media. While many within the photojournalism community quickly declared the image as the “photo of the year,” and worth of top prizes, one voice offered dissent.
Who thinks wedding photography has become a bit predictable this year? Boring, even? Sure, the first time you see a teeny tiny couple lost in a massive landscape, it's impressive. Or a backlit couple in profile. Or a couple shot through loads of out of focus lights. Or hand in hand, silhouetted, between fairy lights, having just stepped over a prism and climbing a mountain (because that’s what happens on a wedding day).
I covered an event some months ago over a period of a few days during which, as you can imagine, many hundreds of photos were taken. Due to the popularity of this event, (we've covered it over a number of years, thankfully) I knew the folks that were a part of it were really going to be anxious to see, share, print, etc.
Photographer couple Benjamin Lowy and Marvi Lacar created this inspiring short film with Sony about how Lowy's vision of the world as a conflict photographer changed after he entered the world of fatherhood.
The kind of photography I do begins as a moment of theft. Finding the scene, finding your angle, and stealing the moment for yourself. Some photographers are creators. They build a scene, a still life, or arrange their models and angle their lights and create an image from nothing. I’m not one of those photographers. I’m a thief.
"Yet to an obsessive his obsession always seems to be of the nature of things and so is not recognized by what it is." Those words, written by art critic John Berger in his book Ways of Seeing, annotate one part of his understanding of the history of oil paintings: it’s obsessive tendencies toward showmanship of what one has, and the relationship between property and art.
Since elementary school, I've been told that things had to match. If I wore Sean John pants, then I had to wear a Sean John shirt. If I wore anything Nike, then I had to have the matching shoes to correspond. This was a mindset that I held throughout most of my life.
After our first visit to Yosemite National Park, my girlfriend and I have made it our goal to try to visit as many National Parks as possible. It's partly because of how beautiful and varied the parks are from one another, and partly because of the escape from the everyday noises that we find while out there.
I feel that there's a word missing from our vocabulary, and this essay is the culmination of an effort to find such a word, to define it usefully, and to work through some of what it might mean.
A week and a bit ago I was in Falmouth, on stage, in front of maybe a bit less than 100 or so students. It was Tuesday, around 2pm. I felt oddly calm and eager. They looked expectedly unenthusiastic.
A dark reality exists within photography that few photographers are willing to discuss and many refuse to even recognize. In the name of purity, we tend to see photography as a medium that couldn’t -- shouldn’t be able to -- do harm.
Here's an inspiring video in which renowned adventure photographer Cory Richards discusses why he believes vulnerability is the key to making great art.
Something is off in our modern photographic culture. We’ve lost something. Something… big.
I remember the first time I picked up a digital camera. It was 2003 and I got this little Canon G5, a good point-and-shoot, and it was 5 megapixels.