Venus Optics has announced a new Laowa Argus 28mm f/1.2 prime lens for full-frame cameras. Billed as the fastest 28mm for full-frame on the market, the new lens is available for Leica L, Nikon Z, Sony E, and Canon RF mounts.
Meike has that its autofocus-equipped 85mm f/1.8 lens that it launched last year for Sony E-mount is now available for Fujifilm X and Nikon Z-mount.
Zhong Yi (ZY) Optics is making its Mitakon Speedmaster 65mm f/1.4 lens originally designed for the Fujifilm GFX available for Hasselblad X, which will make it the fastest lens option for the medium format system.
Sony has announced the new Sony FE 50mm f/1.4 GM lens, a standard prime lens that Sony says is perfect for portraits, travel, street, and video.
Viltrox is aiming at high-end, professional photographers with its new "Air Cutter" AF 75mm f/1.2 lens, a large aperture portrait prime designed for Fujifilm X-Mount.
Sigma’s 50mm f/1.4 DG DN Art takes its place as the latest lens in Sigma’s venerable high-end lens line and is a welcome addition thanks to excellent performance and a low cost of entry.
Nikon has provided final details of its highly-anticipated Nikkor Z 85mm f/1.2 S, a lens that it describes as a professional-level ultra-fast prime that "unquestionably exhibits the extraordinary potential of the Z mount."
Nikon's new 26mm f/2.8 is a super-thin wide-angle prime for its Z-mount mirrorless cameras and is its slimmest and lightest full-frame autofocus lens ever.
7Artisans has announced an extremely affordable 18mm f/6.3 II ultra-thin cap lens, which makes major changes from the company's original version.
Canon has designed a pair of RF-mount catadioptric telephoto lenses that it says successfully corrects for field curvature while still being small, lightweight, and have a large aperture: a 300mm f/2.3 and a 400mm f/5.
Nikon's recent development announcement for a 26mm f/2.8 lens sent chills down my spine, exacerbated by its diminutive proportions. While maybe not the most important lens in their lineup, is any mirrorless system complete without one?
Cosina has announced that it will release a Nokton 50mm f/1 Aspherical and a Super Wide-Heliar 15mm f/4.5 Aspherical for Nikon Z-mount full-frame mirrorless cameras.
Venus Optics is aiming at professional filmmaking production with the launch of the Proteus line of anamorphic lenses, what it is calling the most accessible professional anamorphic lenses with a constant 2x squeeze ratio for Super35 sensors.
Sony has revealed that it is developing a new 300mm f/2.8 G Master lens, but photographers won't be able to get their hands on it until early next year.
Yesterday, Nikon revealed that it was developing a new 85mm f/1.2 S lens for its Z-mount mirrorless cameras, and PetaPixel was able to get some literal hands-on time with the optic, which shows that the new lens is quite the handful.
Canon’s new RF 135mm f/1.8 L IS USM is an essential lens in the company’s mirrorless system, not only because the focal length is a staple choice of portrait, wedding, and corporate photography, but because Canon's latest prime is truly exceptional.
Nikon has announced that it is developing two new lenses for Z-mount cameras: the Nikkor Z 85mm f/1.2 S and the Nikkor Z 26mm f/2.8 pancake.
Venus Optics has announced the Laowa 19mm f/2.8 Zero-D GFX, a manual-focus prime lens for Fujifilm's medium format camera system that promises a 110-degree field of view with close to no distortion.
Irix has announced a second version of its 150mm T3.0 cinema lens called the 150mm T3.0 Tele. It doesn't replace the previous version, but makes it more usable for a wider audience by improving the focus and aperture range and removing the macro designation.
TTArtisan has announced that its 50mm f/1.4 Tilt lens which was originally released for Sony E and Leica L-mounts two months ago is now available for Fujifilm X, Canon RF, and Nikon Z mounts.
We are proud to announce the second-annual PetaPixel Awards which praise a number of new photography products that our staff has voted as the best in their respective categories.
TTArtisan has announced a new 11mm f/2.8 Fisheye lens for Canon EF and Nikon F-mount cameras. The lens brings DSLRs access to the same lens that has already been available for multiple mirrorless mounts.
Meike has announced a new 25mm f/0.95 manual focus lens for multiple APS-C camera mounts. The $370 optic is currently available for Sony E mount, with the promise of Fujifilm X, Canon EOS M and RF, and Micro Four Thirds coming next month.
TTArtisan recently announced a new standard-length prime lens for Sony, Fujifilm, Nikon, Canon, and Leica APS-C cameras: the 35mm f/0.95.
Yongnuo has released a new affordable 35mm f/2 autofocus lens for Nikon Z-mount cameras. The 35mm f/2Z DF DSM costs 1,799 at full price, which is just shy of $250.
Fujifilm has announced a new 30mm f/2.8 Macro lens that features a 1:1 magnification ratio and a close focusing distance of just 3.94 inches (10 centimeters) from the sensor.
Canon has announced a new prime lens for its RF mount, the 135mm f/1.8 L IS USM, a lens it promises achieves beautiful and "generous" bokeh and is ideal for both portraiture and sports photography.
Film isn’t dead yet. That’s the obvious message behind Leica digging up its roots and reimagining its storied M6 rangefinder film camera from 1984 and releasing a brand new variant in 2022.
Meike has announced a new 35mm f/0.95 large aperture lens for six different camera mounts: five APS-C and Micro Four Thirds. While fully manual, it boasts solid image quality and a relatively affordable price.
Leica is going all in on the revival of classics. In addition to restarting production of its M6 film rangefinder, the company is also bringing back the Summilux-M 35mm f/1.4 originally released in 1961.