opinion

A court has ruled that Harvard University can be sued over a series of photographs that depict enslaved people by a woman who is a descendent of the subjects.

With Canon's strong foothold -- or should that be increasing stranglehold -- on the mirrorless market, you can easily argue it is becoming the Microsoft of the camera world.

We're sold software on the basis that what we can't get right in-camera, we can fix and improve after the event. Even with all the fancy algorithms that are available to us, the single best thing you go do to your image is a simple crop.

During the dark ages of digital photography, also known as the early 2000s, I was spending an awful lot of time trying to get my Canon 430EX Speedlite to work as an off-camera flash. Speedlites, by design, were clearly never meant to be used that way.

Earlier this week, Apple revealed the M2 chip and the two computers that would be the first to use it. And while the MacBook Air saw significant upgrades across the board beyond just the new chip, the equally-priced M2 MacBook Pro did not.

Photographers, from beginners to the most experienced, search for ways to improve their compositions. To be successful in your search, you have to compose an image based on two things above all else: light, and the relationships of forms.

I believe in a happy medium, somewhere between too little and too much. Aristotle defended this view with his Golden Mean, the middle ground between excess and deficiency. Apply it to the pleasures of life, to your emotions, to your decision-making, and it makes practical sense. Even digital photography follows Aristotle’s wisdom.

Cancer took my mother away. I was in a downward spiral until a chance encounter with nature set me on my path to recovery. I began photography as a means of prolonging the serenity I felt when surrounded by nature.

I know that the idea of proxy recordings and how to create them in editing software such as Adobe Premiere and Divinci Resolve has been talked about a hundred times, but did you know you can generate them in-camera for even more time savings?

The smartphone is perhaps the single most important device in history, wresting the power of news and journalism back into the hands of the everyday person. Data communication is the key enabler, but the camera -- more than anything else -- slakes the thirst for instant visual gratification. So, why is shooting with a smartphone so deeply unsatisfying?

One of the reasons we pursue landscape photography is to connect with nature. Many photographers cite calmness, a sense of peace, and inspiration when they are surrounded by stunning scenery. I am one of them. Unfortunately, it is increasingly common that the encounter is modified by some human-made element.

A leading textbook on creative photography, released in 1980, devotes more than 90% of its 460 pages to technical considerations — how cameras and lenses work, darkroom procedures, lighting — and just a few pages to aesthetics and composition.

Apple's newly-announced Mac Studio with its new M1 Ultra chip looks to be a juggernaut, but pretty much no photographer will need that kind of power. The base model Mac Studio is a better choice and might be the best deal for a new computer on the market.

In the past few years, we’ve seen the dawn and domination of mirrorless cameras and exponential improvements in software and computing power. Speaking as someone who started shooting on black and white film, moved to digital on a 6-megapixel camera, and now shoots solely only on mirrorless bodies, I can honestly say that it’s never been easier to produce great quality photography.