Demystifying Log Formats: What Every Aspiring Colorist Needs to Know
One of the most exciting consequences of the advancement of technology is the democratization of tools that were once reserved for big-budget productions.
Dang, ProRes Log Footage Shot on iPhone 15 Pro Looks Phenomenal
Apple's iPhone has for several years now been the best choice for shooting video on mobile, but the recent addition of ProRes Log capture on the iPhone 15 Pro and Pro Max is taking that to another level.
Is There Any Real Benefit to Retro Camera Design?
This week Nikon launched the Zf, a full-frame retro-inspired camera that packs some serious technology and gives us a glimpse into the company's future. But we have some questions about retro design: is it all nostalgia or is there more to it?
Sony Updates the FX3 with Log, LUT Importing, and Timecode Sync
Sony has announced a firmware update that brings additional professional cinema camera features to the Sony FX3 including additional log shooting modes, LUT importing, and timecode sync.
What is the Difference Between Color Grading Log Versus RAW Video?
Videographers who transition between shooting in Log and RAW video might find that it isn't always smooth, especially when it comes to color grading.
OnePlus 10 Pro Supports 10-Bit Color, Adds New 150-Degree Ultra-Wide
OnePlus has finally published details on what to expect from its partnership with Hasselblad in the upcoming OnePlus 10 Pro smartphone: 10-bit color, a new RAW+ mode, new movie mode, and a new 150-degree ultra-wide camera.