johnbilbao

On the left, a close-up shot of a camera lens with a blurred background. On the right, a June 1985 National Geographic magazine cover featuring a young woman with striking eyes, wrapped in a red shawl. The background of the cover is yellow.

Shopping For, and Shooting With, the Lens Behind the World’s Most Famous Photo

In 1984, during the height of the Soviet-Afghan war, American photojournalist Steve McCurry took what is considered by many to be the most famous photo in the world. The photo, entitled Afghan Girl, depicts a then-12-year-old girl, identified in 2002 as Sharbat Gula, while she and her family were living in Nasir Bagh, an Afghan refugee camp in the Pakistani city of Peshawar.

A black DSLR camera without a lens, displaying the exposed image sensor and the lens mount in the center. The camera has a textured grip on the left side, various buttons, and a viewfinder on top. The background is a gradient from dark blue to light gray.

No, The DSLR is Not Dead Yet, So Stop Asking and Just Take the Picture

As someone who earns a living from digital media and keeping plugged into the photographic and videographic industries, it’s only natural that I spend a lot of time cruising around on the information superhighway and frequently interacting with people all over the world on the subject of cameras and the field writ large.

A cluttered desk covered with photographs, a digital tablet, and sketches, all depicting various landscapes, illuminated by a sunset streaming through a window with mountain views.

Starting a Portfolio as a Photographer: An Encouraging Perspective

When I was in college at the University of Minnesota, one of my senior-year classes at the Hubbard School of Journalism and Mass Communication involved putting together a website using Wix, to hopefully allow us to showcase some of the things we had worked on during our academic careers and set us up for a (hopefully) easier time finding work afterward.

The Best Web Hosting for Photographers in 2024

One of the single most worthwhile investments you can make as a photographer is paying for a bespoke website. Whether you’re a commercial assignment photographer looking to showcase your best work, a batch shooter wanting to create a home for your purchase galleries, or anything in between, an online presence outside of social media is a crucial component of any creative’s toolkit.