Why AI Image Generators Can’t Get Hands Right
AI images have shocked the photography world with their hyper-realistic output. But there is seemingly one thing they keep stumbling over -- hands.
AI images have shocked the photography world with their hyper-realistic output. But there is seemingly one thing they keep stumbling over -- hands.
In his most recent video, portrait photographer Miguel Quiles decided to tackle what we'll call the "Ricky Bobby" problem: what do you do with your [model's] hands? After years of trial and error, Quiles has come up with 10 "hacks" or tips that have helped him conquer this issue.
The UK reality game show The Apprentice is being mocked over what people are calling a hilarious Photoshop fail. But is it actually a case of unfortunate posing and a trick of the light?
Photographer Sanwal Deen has been working on a new personal project, titled "Work." It's an exploration of different careers found around the world, and how work is a thread by which individuals all over the world are connected.
Portrait photographers usually focus on the faces of subjects, but photographer Omar Reda wanted to tell the story of people's lives in a different way: he created detailed photos of the palms of their hands.
You know those hands you see in advertisements and commercials? Those hands belong to people who make a living by offering up their beautiful hands to help companies market their products. Some of those hands are insured for seven figure sums and have helped their owners become "supermodels" in their field.
For their project "Head Shots of Hand Models," ad executive Alex Holder and photographer Oli Kellett shot portraits of hand models, both their hands and their faces.
Created by Netherland-based director and animator Andre Maat, this incredible little stop-motion animated film, dubbed WOODOO, was created with the help of a whole lot of laser-cut wood pieces.
All signs point to a Nikon mirrorless camera announcement at midnight tonight and, after Nikon’s strange “I …
You've probably seen (and taken) forced perspective photos before, but South Korean artist June Bum Park goes one step further, using footage from cameras in high places to control cars, pedestrians, and other things in the scene as if playing with a miniature world.