The comparisons were bound to start pouring in. When Tamron revealed their 70-200mm f/2.8 G2, priced at just $1,300, people started asking: should I still buy the Nikon ($2,800) or Canon ($1,900) versions? Jared 'Fro' Polin has answer for the Nikon users: you shouldn't.
From the beginning of my photography career—which is … almost 30 years ago (that can’t be true!)—I've been shooting with zoom lenses. Due to the flexibility they offer, I was convinced they make the best choice; as far as I know, thousands of other travel photographers who would say the same.
What's better for portraits? Is it the versatility of a great 70-200mm f/2.8 zoom lens, or the bright bokeh-tastic performance of a solid 85mm f/1.4 lens? That's what photographer Manny Ortiz set out to discover this week.
Tamron has two major zoom lens updates to share today, and at least one of them will make Tamron fans very happy. Almost four years after the first generation lens was announced, Tamron is unveiling a new and improved SP 70-200mm f/2.8 Di VC USD.
It's not all crazy patents today on the rumor mill, this week also brought with it some tantalizing teasers about three of the biggest camera manufacturers. We have a "first" from Canon, a new lens from Nikon, and a new memory card from Sony to tell you about.
Looking to buy a lens in the popular 70-200mm focal range for your Canon DSLR? If want the best money can buy, you're probably looking at a Canon 70-200mm f/2.8L IS II, which costs a hefty $2,200. If you'd like the same range, fixed f/2.8 aperture, and stabilization but at a more affordable price point, the $1,500 Tamron 70-200mm f/2.8 Di VC might be a product you've been eyeing. But how do these two lenses stack up against each other, and how big of a difference is there?
In the 10-minute video above, Kai Wong of DigitalRev pits the two options against each other on the streets of Hong Kong.
Earlier today, Samsung officially released its recently-rumored/leaked flagship camera, the NX1. Alongside it, the South Korean electronics company showed off an impressive 50–150mm f/2.8 lens (70–200mm equivalent) and teased a new 300mm f/2.8 lens that’s still in development.
Tokina broke new ground yesterday when it announced its very first optically-stabilized lens. Dubbed the AT-X 70-200mm F4 PRO FX VCM-S, it uses a voice coil motor-driven IS system to deliver a promised three stops of image stabilization for the shaky of hand.
The mystery of the disappearing Canon lenses deepens. Today, Canon announced the EF 70-200mm f/2.8L IS II …