None of the mirrorless cameras come close to the in-hand feel of the Pentax K-1 or the feel of quality.
None of the mirrorless cameras come close to the in-hand feel of the Pentax K-1 or the feel of quality.
Sometimes though, I want the look of the GFX 100 and when you get it right with this camera it is 100% worth what I paid for it.
It is the best DSLR ever made. Nikon D6 does not touch it.
There's no question about optical quality. It's very good indeed.
So the E-M1X is not a bad camera by any means, but it could have been a genuinely special one.
This is not your typical consumer toy and I struggle to really criticise any aspect of it given the price.
Several small steps for A7R III, one giant leap for Sony-kind.
Of course there's much more to add to this review in future parts but the take-away is that this is the first Canon DSLR I have wholeheartedly recommended for video since the 5D Mark II...
Fujifilm have a legendary presence in the cinema world, their film stocks and cinema lenses are a class act… To build on this with the X Pro2 opens up the system to a whole new audience.
[T]his is just the start of my experience with the A6300.
Despite the A7S II being the world's worst camera to shoot the sun in the sky, there's obviously a lot to like about the specs.
I’ve kept this short because I believe the images speak for themselves on this one.
For me the RX10 II is a slow-mo super zoom with S-LOG. It happens to shoot 4K too.
The Sony A7R II is a fascinating camera and tons of fun to shoot with. [...] Astounding 42MP photos, completely new sensor and internal 4K recording from a full frame sensor, despite heat issues.
I don’t think Canon see mirrorless as a serious alternative, even to their low-end DSLRs.
The ergonomics changes add a clunkier grip and that's all I noticed.
When it all comes down to it, the Panasonic FZ1000 is a GH4 with a 25-400mm lens for $899.
The Sony A7S is the first camera to really beat the Canon 5D Mark III across the board at almost every level for both stills and video, especially the latter.
Joking aside, and aside from all those lost years shooting video with moire and aliasing on Nikon cameras, the D750 is actually a surprise. It’s just that a lot of the innovation is hidden from view.
As a filmmaker who likes complete control and to shoot without complicated rigging or large crews I find the Panasonic GH4 perfect for my needs. If you consider the upgrade path beyond to the GH4 things get much more expensive.
The lack of video features and 4K will put DSLRs at a very significant disadvantage on performance relative to the best mirrorless cameras this year.
Seen in this light, the camera is a worthy competitor to the Sony A7R. Video performance is better overall, and that stabiliser is indispensable.
If you love full frame for stills and want the most adaptable lens mount to use all your lovely old lenses on, the A7R is the best you can get. If you just want a lovely cinematic video mode then the A7R is somewhat disappointing.
It's this that makes the GM1 hands down the best compact camera solution in the world right now.
