The camera offers a good option for those looking to start building a lens collection under the Fuji moniker and actually serves quite well as a gateway to widening your understanding of photography.
The camera offers a good option for those looking to start building a lens collection under the Fuji moniker and actually serves quite well as a gateway to widening your understanding of photography.
[I]n super controlled environments with good exposure, the camera can give amazing results, but when cameras that will work well in all conditions, such as the D500, cost $1800, well, I think Olympus is really at its limits here.
Other options aren't perfect either, but it just seems like the Canon EOS 5D Mark IV is a kind of decent stills camera, although not the best, and it would be a decent camera for video if there weren't a good number of better cameras for video out there.
It is insanely quick. I'm not sure I've used anything so responsive, so ready to focus on the press of the button.
The best thing about this camera is that it's a full-frame Pentax. It offers longtime Pentax users what they've had wet dreams about for years and new DSLR users with money to burn on a full-frame camera another option.
The Nikon D500 is surely the camera to bring back some glory for Nikon and prove that APSC is far from dead.
Yeah, there are a few flaws here and there, but that doesn't really stop this camera from being a really excellent mirrorless camera.
[B]ecause it lacks all those features like video, live view, brass, it is Leica in its purest form and that is what makes the Typ 262 in my mind the Leica M to go for if you want one.
The RX1R2 works because it is the bare essentials with maximum image quality.
Yeah, it looks pretty, but it's pricey right here, but given the choice of the EM5 II or the PEN-F, I'll take the PEN-F any day of the week.
This, the Sony a7S II, neatly rounds up the second series of a7 cameras by adding a brilliant video camera to accompany the already brilliant stills camera that is the a7R II and the, well, the other one that is the a7 II.
[C]asual photographers might take a fancy to something like this.
To make it a really serious alternative to the RX100 IV, it should offer a lot more than it does, or Sony Cyber-shot DSC-RX10 II does, is make me think that the RX100 IV is the much smarter buy.
Take it for what it is, a compact camera with quite an amazing set of features that some bigger cameras don't have. It makes a great addition to a photographer's kit, a camera you can get some top quality stills or video when you don't want to bring the big stuff out.
I might even go as far to say that it's the best Canon 50.
Just hold on to your money, right? Well, if you want the best, you'll never get it. If you want a really bloody good camera that is here and now, well, you're looking at it.
The Zeiss Loxia 35 and 50 a couple formidable lenses for sure. They'll appeal to not only photographers with a penchant for buttery smooth manual focus only lenses but to videographers too.
Sometimes a lens will be made that creates a new standard, takes things a step further, sets the bar for all others to follow, a truly exciting lens.
It's so much like the D5300 that if you're looking to buy this camera, unless you really need a touchscreen, you might as well just go out and buy the D5300.
The E-M5 Mark II feels like more of a complete camera and a better all-rounder.
This really does feel like a worthy updated original. It functions sweetly and produces some tiptop images.
[T]his in my opinion is the standard you should go for if you're an APS-C Canon user.
[T]he main selling point of the Canon EOS 7D Mark II involves speed and accuracy.
The performance of the D810 in a light D610 body with smaller files and a reasonable burst rate makes this combination a winner.
