I don't think you'll be disappointed with the Nikon Nikkor Z 35mm f/1.8 S lens.
I don't think you'll be disappointed with the Nikon Nikkor Z 35mm f/1.8 S lens.
The final word: if you need versatility out of a prime lens and you're a Fuji shooter, then really look no further than the 23mm f/1.4.
The final word: if you're a real estate videographer who dabbles in real estate photography, then there may be a place in your camera bag for the Laowa 12mm f/2.8.
To wrap up this review, we gave the Canon RF 15-35mm f/2.8L IS USM lens a 47.5 out of 50 and a highly recommended rating, just a half a point off the Editors Choice Award.
The 24 offers solid build, fast autofocus, and beautiful results, which is really all that matters. It's a gem of a lens that's absolutely worthy of your camera bag.
The final word: if you shoot portraits for a living and you're a Canon loyalist, optical performance simply doesn't get much better than the Canon RF 85mm f/1.2 L USM.
To wrap up this review, we give the Fujifilm 16 F1.4 a 46 out of 50 and our highly recommended rating.
The final word: if you shoot Fuji and you mostly shoot portraits, lenses truthfully just don't get much better than this.
The bottom line is the Sony FE 85mm f/1.8 is in fact a very great optic, but I'm simply not in love with the color science of the Sony camera bodies, nor am I super in love with the bokeh rendering of the 85 f/1.8.
The final word: Sigma continues to disrupt the photography industry with market-leading optics at value prices with their Global Vision line of Art lenses, and so it goes with the 85 Art.
In a wrap of this review, we gave the Canon EF 11-24mm f/4L USM lens a 41.5 out of 50 and our recommended rating.
The Zeiss is certainly an optically fantastic lens that, again, is simply amazing for portraiture, and I'm not saying it isn't worth the premium to get it.
With a list price of $499, which by the way is frequently discounted to $399 at places like B&H, you get a reasonably fast and well-built lens with lightning fast autofocus and stellar optics.
To wrap up this review, we gave the Olympus M.Zuiko Digital 300mm f/4 IS Pro series lens a 45.2 out of 50 and our highly recommended rating.
[T]he Olympus OM-D E-M5 Mark II is not the most expensive Micro Four Thirds camera but it is one of the most capable and one of the best all-rounders available in the marketplace today.
If you're a professional real estate, landscape, or architectural photographer and you can't afford any compromises in your work or in your results, then the Nikon 14-24 f/2.8 is an absolute must-have piece of kit for any professional Nikon shooter.
Again, if you're a pro and you're considering Micro 4/3s, then I'll say it right now: this is one of the absolute must-have lenses in the Micro 4/3s system.
The final word: the Canon EF 16-35mm f/4L IS USM is just the latest in a string of really excellent, high-quality professional lenses put out by Canon.
[I]t gets a 49 out of 50 and earns our editor's choice award. It's also the new high-score champion out of any lens that we've reviewed, so congratulations Olympus, great job.
[T]he Sigma gets a 45 1/2 out of 50 and earns our highly recommended rating, the final word. As you can probably tell, I'm more than a bit enamored with the 18 to35, and for good reason.
The Panasonic Leica DG Summilux 25mm f/1.4 ASPH. Is no doubt a great lens, and in my opinion mostly lives up to the hype that's been heaped upon it.
If you're a serious portrait photographer and you want to get into this kind of a camera, you have to get this lens. It offers some pretty amazing results.
